Episode 4 of Marvel’s WANDAVISION is streaming now. Here’s a sneak peek of the episode!
In case you have yet to discover Marvel’s first foray into episodic TV programming, this is what it’s all about.
Marvel Studios’ “WandaVision” is a blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff and Vision—two super-powered beings living idealized suburban lives—begin to suspect that everything is not as it seems.
“WandaVision,” the first Marvel Studios series created exclusively for Disney+, stars Elizabeth Olsen as Wanda Maximoff, Paul Bettany as Vision, Kathryn Hahn as Agnes, and Teyonah Parris as Monica Rambeau, who was introduced to audiences in “Captain Marvel.” Kat Dennings will reprise her role as Darcy from “Thor” and “Thor: The Dark World,” and Randall Park will reprise his role as Jimmy Woo from “Ant-Man and The Wasp.” The series is directed by Matt Shakman with Jac Schaeffer as head writer.
Marvel‘s WANDAVISION is streaming now on Disney+, new episodes to arrive weekly.
(Photo/video credit: Disney)
Review by Amanda Gilmore for Mr. Will Wong
One of Variety’s Top Ten Directors to Watch, Prano Bailey-Bond, makes her feature debut with Censor. It takes place in the ’80s when the world was in a frenzy over violence in films, particularly Video Nasties. It follows Film Censor Enid (Niamh Algar) who’s assigned to review a disturbing video from the archive that draws parallels to a traumatic event from her childhood.
Bailey-Bond pays homage to the Video Nasty era with mentions to films, such as I Spit on Your Grave, that was causing the hysteria at the time. Throughout the narrative, Enid watches horrific acts of violence and makes decisions of what to cut. These disturbing films don’t always show the gruesome acts, but their horror is heard and witnessed through the eyes of Enid. Bailey-Bond uses aspect-ratio and the grainy, jumpy VHS tape aesthetics of the 1980s. This gives an authentic feel that aids the story, particularly near the end.
Algar is brilliant as the quiet Enid, who becomes possessed in her quest. In the beginning, Enid is nearly devoid of emotion as she watches the video nasties. That is until the Film comes along that ignites the memory of her traumatic event. As the story progresses, we watch Enid begin transforming. Her long-buried guilt over the disappearance of her sister floats to the surface, and she grasps to believe the lie she’s told herself. Algar is mesmerizing throughout, but most notably towards the end. She completely unravels in Enid’s desperation for answers and switches meticulously between emotions.
Thankfully, Censor isn’t a modern-day Video Nasty. Instead, it’s a twisted love-letter to the era with a powerful story of the ties between memory, trauma and guilt. There’s also a delightful amount of gore and dark humour to be had.
Censor screens at Sundance:
Live Premiere: January 29 at 12 AM (EST)
On-Demand (available for 24 hours): January 29 at 10 AM (EST)
Review by Amanda Gilmore for Mr. Will Wong
This Documentary recalls summer concert series, The Harlem Cultural Festival which took place in 1969. The event was one that celebrated Black culture and music; however, many don’t know about it. That’s because reporters decided to cover Woodstock which happened the same year. So the footage of the Harlem Cultural Festival has sat in a basement for 50 years. Until now.
Director Ahmir “Questlove” Thompson brings the Harlem Cultural Festival to the screen through archival footage and recent interviews with those who attended the Festival. The use of the never-before-seen archival footage brings us right into the beauty of the summer series. We experience watching musicians such as Stevie Wonder, Nina Simone, and more. We listen to their music but also their inspiring words.
Additionally, the archival footage shows us what the Media’s focus was on at the time and the experiences of people living in Harlem. The Media was focused on the successes of white America, such as the landing on the moon. While those attending the Festival were focused on how the Government could allocate money to help diminish the high rates of poverty.
The recent interviews are powerful. The Musicians were honoured to be there to celebrate Black culture and music. The attendees, there were over 300,000 people who attended that summer, speak about how it felt to be celebrating themselves. During the interviews, Thompson plays the footage. In doing so, you watch emotional moments as they relive one of the most special times in their lives.
Summer of Soul finally brings this Festival to the screen and has a strong message. It’s an examination of the importance of history to the human spirit. The Harlem Cultural Festival celebrated the Black Community and for 50 years it has been erased from history. When history is ignored it hinders the hearts of minds of those who lived through it, but also generations that follow.
Summer of Soul (…OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) screens at Sundance:
Live Premiere: January 28 at 10 PM (EST)
On-Demand (available for 24 hours): January 30 at 10 AM (EST)
20-year-old Canadian Singer-Songwriter Faouzia is back with this gorgeous new collabo with John Legend, MINEFIELDS, directed by Kyle Cogan. Faouzia was raised in Winnipeg and is on the verge of something big with 20+ million monthly listeners on Spotify!
The Video was just released, check it out below:
(Photo/video credit: Warner Music)
Featuring new music by HAIM, THE WITCH BOY is an upcoming Netflix Animated Feature Musical from Director Minkyu Lee (Adam and Dog) and based on the New York Times Best Selling Graphic Novel series.
Synopsis:
In a secret, magical community where girls are born to be witches and boys grow into shapeshifters, Aster is surprised to discover his emerging and extraordinary witch powers. When a mysterious danger threatens his world, Aster must embark on a journey to uncover the truth behind himself, his powers, and everything that is magical.
Release date TBD.
(Photo credit: Netflix)
They’re back! THE MIGHTY DUCKS sees a reboot in this new upcoming Disney+ Series. And best of all Emilio Estevez will reprise his role as Gordon Bombay! Check-out this brand-new Teaser!
Synopsis:
n the 10-episode season set in present day Minnesota, the Mighty Ducks have evolved from scrappy underdogs to an ultra-competitive, powerhouse youth hockey team. After 12-year-old Evan Morrow (Brady Noon) is unceremoniously cut from the Ducks, he and his mom, Alex (Lauren Graham), set out to build their own team of misfits to challenge the cutthroat, win-at-all-costs culture of youth sports today. With the help of Gordon Bombay, they rediscover the joys of playing just for love of the game.
The series features a talented new team of up-and-coming young actors including Brady Noon , Maxwell Simkins, Swayam Bhatia, Luke Islam, Kiefer O’Reilly, Taegen Burns, Bella Higginbotham, and DJ Watts.
See the Teaser:
THE MIGHTY DUCKS arrives on Disney+ Friday, March 26, 2021.
(Photo/video credit: Disney)
Disney+ will unveil Star, its new general entertainment brand, inside the Disney+ app February 23, 2021 bringing a fresh and ever-growing world of TV series, movies and originals to Canadian subscribers. Increasing the amount of content available on Disney+, Star will launch over 150 TV series, more than 500 movies at launch, increasing to nearly 800 by the end of 2021 which will include more exclusive Star Original content.
Here’s a preview of the content to be available on STAR!
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(Photo credit: STAR)
Review by Amanda Gilmore for Mr. Will Wong
17-year-old Ruby Rossi (Emilia Jones) is a CODA, which stands for Child of Deaf Adults. She has spent her entire life interpreting for her parents (Marlee Matlin and Troy Kotsur) and brother (Daniel Durant). When she joins her high-school choir club, her passion for singing grows deeper. When choirmaster Bernardo (Eugenio Derbez) takes a special interest in her talents, he offers to help get her into the Berkley College of Music. Now Ruby must choose between pursuing her dreams or stay in the fishing town to help her family and their business.
Director-Writer Siân Heder has created a heartwarming film that pulls at heartstrings while making us laugh. Heder’s decision to cast deaf actors creates authenticity and vibrancy into this touching narrative. The Film is more than just a coming-of-age story. It’s also about fishing villages and the struggles those families face. This storyline is examined even deeper through the Rossi family who faces more obstacles than others.
Heder’s Script is funny, honest and full of touching moments that bring the audience into the emotions of a deaf family. Scenes, where the Rossis are conversing over dinner or arguing in their living room, are delightful. Heder also has something to say about how the world looks at the deaf community. Many scenes express the frustration of not being able to communicate with those in the town. However, there are steps society can take to make the world an inclusive place for the deaf community. Heder shows this in a powerful scene near the end when Ruby signs a song she’s singing, to her family.
Heder uses the camera and sound to bring audiences right into the life of this family. In the beginning, we are viewing the world through Ruby’s eyes. Everyday sounds that are common to us sound louder because her family doesn’t realize the noise they’re making. Then during scenes where we switch into the viewpoint of the family members, we are brought into silence. This powerful use of sound expertly brings us into the experiences of all members of the family.
At the centre of this Film is the breakout performance from Jones. She embodies the passion Ruby has for singing while showing her obligation to her family. And when she sings, we get goosebumps and chills throughout the body. Matlin and Kotsur give comedic and grounded performances as her parents, Jackie and Frank. They show the fear for losing their daughter while also wanting her to achieve her dream. And Derbez is brilliant as the free-spirit yet stern choirmaster Bernardo.
Overall, CODA is a moving film with outstanding performances from the entire cast. A must-see.
CODA screens at Sundance:
Live Premiere: January 28 at 8 PM (EST)
On-Demand (available for 24 hours): January 30 at 10 AM (EST)
This is exactly what we wished for! It’s already been too long since we’ve heard from the Cast of Netflix‘s BLING EMPIRE and this video tells us where they are now since the popular series arrived a couple weeks back!
The Video answers some questions for us. Are the Cast Team Christine or Team Anna? Is Christine having another baby? Has Kevin finally moved out on his own? Are Cherie and Jessey really getting married? Who did the pump belong to?? Are Andrew and Kelly still together??
There better be a Season Two. We need more!!
(Photo/video credit: Netflix)
Coinciding with International Holocaust Day, it was announced today that Participant and Focus Features will release the late Luke Holland’s Documentary, FINAL ACCOUNT, which premiered at the Venice Film Festival last year.
Synopsis:
Over a decade in the making, FINAL ACCOUNT raises vital, timely questions about authority, conformity, complicity and perpetration, national identity, and responsibility, as men and women ranging from former SS members to civilians in never-before-seen interviews reckon with – in very different ways – their memories, perceptions and personal appraisals of their own roles in the greatest human crimes in history.
FINAL ACCOUNT will be released internationally May 21, 2021.
(Photo credit: Focus Features)
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