On April 1, 2023 the 3D Doubt Your Eyes Exhibition will open its doors in Toronto, becoming the city’s newest interactive exhibition for tourists and locals alike. This wildly popular event has toured in the United States, Europe and the Middle East, captivating millions of visitors.

Toronto will be home to the first 3D Doubt Your Eyes Exhibition in Canada, located in downtown Toronto, at Artscape Sandbox (301 Adelaide St. W). The fully interactive exhibition features 3D hand-paintings and illusion scenes that come together to give visitors the opportunity to immerse themselves in a fantasy world. At 3D Doubt Your Eyes, each scene brings different stories: visitors “communicate” with the artwork and even become a part of the artwork itself!

Whether it be fighting with dinosaurs, walking on the moon, fixing Mona Lisa’s make-up, becoming a giant, or turning into a Ninja Warrior, 3D Doubt Your Eyes allows visitors to be both the director and main character of their fantasy voyage. Perfect for all ages, visitors can easily be part of this exciting experience by stepping into the scenes and striking poses for their cameras. 3D Doubt Your Eyes is the perfect Instagram opportunity; the photos from this experience look so real, visitors will feel as though they are living in a magic world.

Created by World Touring Exhibitions and brought to Toronto, for its first debut in Canada by Stagetime Productions, 3D Doubt Your Eyes’ 30 interactive points provide an artistic, educational, and entertaining experience unlike any other in Toronto. It is an event that is sure to be enjoyed by the entire family!

“We are thrilled to bring the Canadian debut of ‘Doubt Your Eyes 3D Exhibition’ to Toronto, an interactive experience that provides a unique and unparalleled artistic, educational, and entertaining experience for the whole family, it’s an experience that you won’t want to miss!” said Patrik Wushinski, owner of Stagetime Productions.

3D Surprise Your Eyes is an innovative concept which includes hand-painted scenes by professional 3D artists, alongside illusion scenes, to entertain and amaze guests.

The 3D Doubt Your Eyes Exhibition runs from April 1 until May 19 and will be open 7 days a week, Monday to Saturday: 10 a.m. – 6 p.m. (last entry at 5 p.m.) Sunday: 11 a.m. – 7 p.m. (last entry at 6 p.m.) Tickets for Adults (ages 16+) will be priced at CAD 29 + HST and Children (ages 3-15), Students and Seniors (65+ – valid ID required and student ID required) at CAD 24 + HST. A Family Bundle (2 adults + 2 children) at CAD 25.50 + HST and a Group Bundle (min. 8 people) at CAD 27 + HST. Free entry for children under 3 and wheelchair accessible. Tickets are available here.

TIFF is delighted to present a special screening of Searchlight Pictures’ Rye Lane, Raine Allen-Miller’s feature directorial debut, on March 29 at TIFF Bell Lightbox. This advanced screening, presented in partnership with Disney and its platform, is part of a sneak-peek event celebrating the upcoming TIFF Next Wave Film Festival, taking place April 14–16, ahead of the film’s exclusive platform release in Canada on March 31, 2023.

Hailed by critics, earning a 97% on Rotten Tomatoes, Rye Lane follows two twenty-somethings, both reeling from bad break-ups, who connect over the course of an eventful day in South London – helping each other deal with their nightmare exes, and potentially restoring their faith in romance. The film, which premiered in January at the 2023 Sundance Festival, features breakout performances from David Jonsson and Vivian Oparah, and was listed as one of “18 Films Directed By Women That We Can’t Wait To See In 2023” by British Vogue. Driven by Allen-Miller’s bold, playful direction, Rye Lane is permeated by a vibrant, energetic style that celebrates Black joy, friendship, and love. This hilarious and heartwarming debut is above all an ode to South London and what it means to find connection in the people, places, and communities that give us strength.

“Those that are youngish and in the know, know that Next Wave Film Festival is TIFF’s hidden gem, a unique showcase of films selected by some of Toronto’s most impressive, young cinephiles – come to connect and be inspired.” said Anita Lee, Chief Programming Officer, TIFF. “The Next Wave celebration kicks off on March 29, opening with an exhibition by multimedia artist, kaya joan, followed by the exclusive screening of Raine Allen-Miller’s Sundance hit Rye Lane, the perfect rom-com antidote for the times.”

The March 29th celebration is curated by the TIFF Next Wave Committee, who also take the lead in programming the 12th edition of the TIFF Next Wave Film Festival (April 14–16). Hailing from across the GTA — from Scarborough, to York, to Mississauga — and ranging in age from 15 to 18, the Committee is made up of 12 teen film enthusiasts, many of whom are young creators and filmmakers. The festival is a one-of-a-kind talent incubator in the world, and features a lineup of Canadian and North American premieres, creator Q&As, workshops, and collaborations with leading filmmakers to celebrate new voices in cinema.

This year’s Committee members include Arjun Persaud, Celina Tang, Dev Desai, Ellie Tripp, Faven Tesfamichael, Honora Murphy, Keertan Somasundaram, Maggie Kane, Naiya Forrester, Norah Daudi, Simona Williams, and Tara Sidhu. These passionate young film lovers collaborate to curate TIFF Next Wave’s Official Selection and programming through fresh and timely perspectives for youth audiences in Toronto and across Canada. With the guidance of TIFF staff, the Committee also supports year-round TIFF programming for young audiences and curates a selection of “Next Wave-approved” films at the Toronto International Film Festival in September. Alumni of the TIFF Next Wave Committee that have internationally developed their careers include Shiva Baby and Bottoms director Emma Seligman, Ms. Marvel’s star Iman Vellani, and NYC-based film programmer Samah Ali, among others.

Prior to the Rye Lane screening, audiences are invited to the opening of Lost & Found: There are so many worlds exhibition in the TIFF Bell Lightbox atrium from 5pm to 7pm. Curated by the TIFF Next Wave Committee, this free public art exhibition features multi-media works by Afro-Indigenous artist kaya joan, created with found and recycled substrates from around the city, investigating the stories that exist in the in-between spaces held in place. This exhibition will be on display from March 21 to April 30.

Young audiences can continue the celebrations with a Lost & Found themed Opening Night Party to launch the Festival on April 14, featuring a series of events, from the Battle of the Scores musical showdown, special guests’ attendance, and more. The TIFF Bell Lightbox atrium will transform into a time machine, featuring retro sights and sounds, with a variety of interactive activations and fun decor, like dance floors, clothing swaps, rug tufting photo backdrops, and more. tiff.net for more.

Paramount+ today announced that YONDER, its brand-new original drama series from South Korea, will premiere exclusively on the service on April 11th in Canada, the U.S., U.K., Australia, Latin America, Brazil, Italy, Germany, Switzerland, Austria and France.

After his wife, Yi-hoo, passes away from an illness, Jae-hyun one day receives a message from her – an invitation to a world called “Yonder,” which was designed based on her memories. Jae-hyun goes to Yonder and reunites with Yi-hoo again. But can they be together forever? YONDER is directed by Lee Jun-ik and stars Shin Ha-kyun (“Beyond Evil”), Han Ji-min (“Rooftop Prince”), Lee Jeong-eun (“Parasite”) and Jung Jin-young (“Ode to My Father”).

Produced by CJ ENM and Doodoong Pictures, the series is the first local production out of Paramount Global’s strategic partnership with leading entertainment company CJ ENM. Last year, Paramount+ officially marked its entry to Asia with the launch of its streaming service in South Korea on TVING, one of Korea’s leading streaming platforms, launched by CJ ENM. Paramount+ also recently announced its second local production as part of the deal with CJ ENM, BARGAIN, which launched on TVING in October last year, and will premiere exclusively on Paramount+ globally this summer where the service is available. YONDER and BARGAIN are licensed by Paramount Global Content Distribution outside of Korea, Japan and Taiwan.

In addition to YONDER, a collection of thriller & mystery Korean drama series produced by global IP powerhouse CJ ENM and its studios will also be available to stream on Paramount+ globally starting April 11th, including:

· SIGNAL – Communicating via a walkie-talkie that transcends time, a criminal profiler from 2015 and a detective from 1989 join forces to tackle crimes and injustice. Produced by Studio Dragon and AStory, SIGNAL stars Lee Je-hoon (“Move to Heaven”), Kim Hye-soo (“Default”) and Cho Jin-woong (“A Hard Day”).

· VOICE (SEASONS 1 & 2) – VOICE follows the employees of an emergency call center and dispatch teams as they try to help victims using only what they hear during their calls for help. Two police officers join forces to become the “Golden Time team” to solve cases as they happen in real time. Produced by Studio Dragon and Content K, VOICE stars Jang Hyuk (“The Killer: A Girl Who Deserves to Die”) and Lee Ha-na (“Alone in Love”).

· SAVE ME (SEASONS 1 & 2) – A dark religious cult masquerading as a peaceful pastoral church wreaks havoc on unsuspecting community members. Produced by Studio Dragon and Hidden Sequence, the series stars Oc Taec-yeon (“Vincenzo”) and Seo Yea-ji (“It’s Okay to Not Be Okay”).

Montreal-based, not-for-profit documentary platform Tënk, currently celebrating its 3rd year anniversary, has announced its expansion into English Canada coinciding with a fundraising campaign to raise 20K through subscriptions. Run by Florence Lamothe, Co-Director and General Manager and Naomie Décarie-Daigneault, Co-Director and Artistic Director, and curated by a diverse list of esteemed filmmakers, critics, and programmers, Tënk brings the best in contemporary and classic auteur-driven documentaries. With over 40 films on SVOD and 350 films on VOD, current films on the platform include the award-winning No Ordinary Man by Chase Joynt and Aisling Chin-Yee’s, Still Processing by Sophy Romvari, and a retrospective of icon Allan King’s best works. For more information visit tenk.ca.

“In 2018, Naomie and I, who were both already heavily involved in the documentary world, traveled to France to visit the Tënk organization, who are known leaders in their field in Europe. We came away completely inspired,” said Florence Lamothe, General Manager. “We decided to bring together our individual forces and follow the French model for Canada, with a focus in the Quebec market to start. Now that we are 3 years in, we are ready to push the platform out to the rest of Canada and bring the best in documentaries to new viewers.”

“Canada is known for its wealth of documentary filmmakers and we are so proud to be able to showcase Canadian auteurs alongside their international peers,” said Naomie Décarie-Daigneault, Artistic Director. “Never has there been a time in which the documentary genre has been more necessary to tell important stories from around the world. We are all struggling to understand the numerous issues that face humanity, and documentary films offer a meaningful way to educate, transform and inspire people. We feel it’s imperative to make these films as accessible as possible to all Canadians.”

Since its inception in 2020, Tënk has streamed over 850 titles, with nearly 400 of those being Canadian. Each week, 5 films are added to the lineup ensuring viewers have fresh and current options. The platform screens the best from high profile film festivals including Visions du Réel, Locarno International Film Festival, Hot Docs Canadian International Documentary Festival, RIDM (Montreal International Film Festival) and has curated retrospectives on some of the best documentarians in the world including: Chris Marker, Robert Kramer, Nicolas Philibert, Artavazd Pelechian, Chantal Akerman, Patricio Guzman, Sofia Bohdanowicz, Agnès Varda, Danae Elon, Allan King, among others.

As a solidarity cooperative and subscription-based documentary streaming platform, Tënk services both the industry through its membership for documentarians across Canada as well as the public through its rigorous and meticulous curation of the best documentary films available. In Canada, industry members have a role in the strategic decision-making of the organization, while the curation rests in the hands of the programming team. Tënk allows the industry professionals and organizations to be directly involved so that the decisions taken reflect a common vision.

Tënk offers different levels of subscription for the public from $10/month to $100/year. As part of the subscription, viewers have access to approximately 40 documentaries which are made available for a 2 month window, with 5 films added weekly. Once out of the SVOD catalog, most films remain available for rental (over 350 titles), at the cost of $3 for 48 hours. The Tenk platform can be accessed through PC, tablet, smartphone, Apple TV, Android TV.

W Network have announced three new series coming as part of their Spring 2023 programming lineup! W Network can be streamed via STACKTV, available on Amazon Prime Video Channels, FuboTV, Rogers Ignite TV and Ignite SmartStream. The network is also available through all major TV distributors, including: Bell, Cogeco, Eastlink, Rogers, SaskTel, Shaw, Shaw Direct, Telus, and Videotron.

Romantic Getaway
Premieres Monday, April 17 at 9 p.m. ET/PT

Romantic Getaway is a modern-day Bonnie and Clyde story, mixing classic romantic comedy moments with high octane, thrilling set-pieces and stars two of Britain’s most loved comedy talents. Allison (Katherine Ryan) and Deacon (Romesh Ranganathan) are desperate for a baby but they’ve run out of money to fund any more IVF treatment, so they decide to steal the money from their dodgy boss. Soon their web of lies starts them on a downward spiral into the criminal underworld of suburban Britain, pushing them and their relationship to the limit – all with hilarious consequences.

Rosie Molloy Gives Up Everything
Premieres Monday, April 17 at 9:30 p.m. ET/PT

Rosie Molloy (Sheridan Smith) is addicted to everything – smoking, alcohol, Terry’s Chocolate Oranges, Xanax, Adderall, caffeine… the list goes on. After an embarrassing incident at her brother Joey’s wedding Rosie wakes up in the hospital and decides to change her life by ‘giving up everything.’ But as Rosie juggles her father’s ill health and the possibility of losing her job, she has the dawning realisation that her addictions are destroying everything – her friendships, her family and her work life. Harder still is the realisation that perhaps it isn’t the addictions that are the problem. If Rosie does give up everything, will she still be Rosie?

Funny Woman
Premieres Thursday, May 11 at 9 p.m. ET/PT

A young woman from Blackpool finds her voice in the male dominated world of the 1960s comedy scene, and in doing so takes London by storm. Gemma Arterton ( Quantum of Solace) stars as Barbara Parker – a Blackpool beauty queen with dreams of making it in London. It turns out London is not quite as swinging as the one she expected, but after a series of setbacks Barbara finds her uncompromising northern wit is her secret weapon, and she becomes a surprise hit with audiences in a new sitcom that will have an impact on British comedy for decades to come. Based on the Nick Hornby novel Funny Girl and also starring David Threlfall and Rupert Everett.

Today, the adored Prime Video series The Marvelous Mrs. Maisel revealed the official trailer for the groundbreaking series’ fifth and final season. The series, which has shattered glass ceilings for the past six years, will raise the curtain on its final act on April 14, 2023 with a three-episode premiere and new episodes weekly, until the finale on May 26, 2023.

After burning bridges and being cut from tour, Midge Maisel persisted through Season Four, rebuilding her career and reputation. The final moments of the season culminated with Midge leaving Carnegie Hall reinvigorated and ready to weather any blizzard. After an epiphany in front of The Gordon Ford Show’s snowy billboard, Midge is ready to “Go forward” and fight for her ascent to stardom—equipped with her quick wit and sharp tongue, and nothing else to lose.

In the fifth and final season, Midge finds herself closer than ever to the success she’s dreamed of, only to discover that closer than ever is still so far away.

Creator Amy Sherman-Palladino and executive producer Daniel Palladino have “exactly” known the series’ “last images” and “last moment” since the Season Four finale last year.

An awards juggernaut, The Marvelous Mrs. Maisel has won 20 Primetime Emmy Awards, including Outstanding Comedy Series; six Critics Choice Awards; four Screen Actors Guild Awards; three Golden Globe Awards; and more. The series has become one of the most acclaimed and beloved shows on television and changed the game of the streaming industry.

The Marvelous Mrs. Maisel, from renowned creator Amy Sherman-Palladino and executive producer Daniel Palladino, is written and directed by Sherman-Palladino and Palladino, and stars Emmy winner Rachel Brosnahan, four-time Emmy winner Tony Shalhoub, three-time Emmy winner Alex Borstein, Emmy nominee Marin Hinkle, Michael Zegen, Kevin Pollak, Caroline Aaron, SAG Award winner Reid Scott, Alfie Fuller, and Jason Ralph.

MAISEL SEASON FIVE SYNOPSIS

In the fifth and final season, Midge finds herself closer than ever to the success she’s dreamed of, only to discover that closer than ever is still so far away.

Disney+ announced today the four-part docuseries “Ed Sheeran: The Sum of It All,” in which Emmy Award-winning producers at Fulwell 73 Productions (“Elton John Live: Farewell from Dodger Stadium “Adele: One Night Only,” ”The GRAMMY Awards”) will take viewers on a journey around the world spotlighting how an unlikely child with a stutter rose to fame to become one of the biggest global music superstars and how his chart-topping hits were born. “Ed Sheeran: The Sum of It All,” from Disney Branded Television, is set to premiere globally Wednesday, May 3, 2023 on Disney+.

For the first time, global superstar Ed Sheeran opens the doors to a definitive and searingly honest view into his private life as he explores the universal themes that inspire his music. This series follows Ed after he learns of life-changing news and reveals his hardships and triumphs during the most challenging period of his life. Blending exclusive, never-before-seen personal archive, present-day actuality, authentic interviews with his wife and loved ones, and intimate performances in cinematic locations, the series widens the lens to unearth what Sheeran thinks of the world, of himself and his music, as well as showcases a decade of hits enjoyed by subscribers around the world.

Throughout his long, successful career, Sheeran has inspired multiple generations of adults, families and kids across the globe with his chart-topping music and intimate storytelling in his songs. In each episode, Ed faces themes and emotions that most people experience. Ed expresses his deeper thoughts as he reassesses life, and how this difficult time has influenced him and his new music. Ed’s upcoming sixth studio album, “ – ” (pronounced “Subtract”), is set to be released on Friday, May 5, through Atlantic in the US, Atlantic/Asylum Records in the UK and Atlantic/Warner Music in the rest of world, with the lead single “Eyes Closed” arriving this Friday, March 24.

“In this docuseries, we’re going to reveal a side of Ed Sheeran that fans have never seen before,” said Ayo Davis, president, Disney Branded Television. “Together with Fulwell 73, we’ve created something truly authentic and personal that will not only entertain audiences but also inspire them to dream big and pursue their passions.”

“I’ve always been very guarded in my personal and private life; the only documentary I’ve ever made has been one that focused on my songwriting,” said Sheeran. “Disney approached me to make a four-part documentary, and it felt like the right time to open the door and let people in. I hope people enjoy it.”

“Everyone in the world knows and loves Ed Sheeran’s songs, as he has been the soundtrack to so many moments of our lives,” said Fulwell 73 partners Ben Turner and Ben Winston in a joint statement. “But this series of films shows the true man behind the hits, showing Ed in an entirely different way after a tumultuous year personally and professionally. This four-part series has been an honor for us to make.”

Episodes include the following:

“Love”

Ed Sheeran explains the unwavering work ethic that has driven his global success. With exclusive footage of his teenage years, Ed describes how he planned his unlikely success. When he was ignored by the music industry he started to play in unexpected settings until this determination brought him into contact with media entrepreneur Jamal Edwards in 2010. Together, they used the burgeoning internet to find their audience. “The A Team” breaks America but for Ed something was still missing. Ed shares the story behind his iconic love song, “Perfect” about his old school friend and now wife Cherry which tells of their romantic love story. Ed seems to have everything, until Cherry gets life altering news and Ed quickly realizes that plans can change in an instant and he will have to adapt.

“Loss”

Ed, his parents, and wife Cherry look at old photos of Ed and explain why he decided to return to live in his English hometown. With unseen footage of Ed’s Divide Tour, Ed introduces his tight fortress of trusted friends that keep him anchored. Then, the unthinkable happens. Ed’s best friend, Jamal Edwards suddenly dies. Ed struggles through a memorial for Jamal as he considers Jamal’s legacy. Ed meditates on the meaning of friendship and, using music as therapy, dives deep into work. During Ed’s 5-night run at London’s Wembley Stadium, British artist, Stormzy, joins Ed on stage in an epic performance before a smaller, surprise gig in his hometown. In a rousing homecoming singalong, Ed sings the iconic “Thinking Out Loud” to shocked locals looking on.

“Focus”

Ed shows his songwriting talents in exclusive archival footage showing the inception of one of his biggest hits, “Bad Habits.” Ed explains the origin story of writing “Eyes Closed” in 2018, through to its latest heartfelt version. After a turbulent year, Ed’s able to channel his emotions, and pours himself into completing his 5-album masterplan with Subtract, which has eluded him for over a decade. Mourning the loss of Jamal, Ed continues at pace, filming 14 music videos for his new album and has his childhood dream come true when he performs with Eminem at the Rock N Roll Hall of Fame, but Cherry worries he may be using work as a distraction. In an intimate performance, Ed publicly shares songs from Subtract for the first time but is overwhelmed when his emotions get the better of him.

“Balance”

In the final episode, Ed jets off to America to promote his tour. Both Ed and Cherry reflect on how they manage the challenges of balancing family life and work when they are regularly miles apart. Reunited at their home, Cherry explains how much of a shift she has seen in Ed over the last year. Ed meets up with friend and fellow British artist, Stormzy, to share his apprehensions of releasing his most personal thoughts into the world with Subtract. In a tribute to Jamal, Ed writes a beat for his “F64” rap about their friendship for an intimate performance at Chelsea FC’s home ground, Stamford Bridge. After some good news about Cherry’s health, she and Ed reflect on all the hardships and triumphs over the last year and look towards the future having a more cherished outlook on life.

“Ed Sheeran: The Sum of It All” is produced by Fulwell 73 Productions. For Fulwell 73, Ben Winston and Ben Turner are executive producers. David Soutar is series director. For Disney Branded Television, Marc Buhaj is vice president, Unscripted and Nonfiction, and Nicole Silveira is vice president, Unscripted.

(Photo/video credit: Disney+)

The Lord of the Rings: The Rings of Power, which has been viewed by more than 100 million people worldwide and has been an unprecedented global success as the top Original series for Prime Video in every region in its first season, has announced that acclaimed actors Ciarán Hinds, Rory Kinnear, and Tanya Moodie have joined the series’ cast in recurring roles for the forthcoming second season, currently in production in the UK.

CIARÁN HINDS

Nominated for both an Oscar and a BAFTA Award as Best Supporting Actor for his performance as “Pop” in Kenneth Branagh’s film Belfast, acclaimed actor Ciarán Hinds has had an illustrious career on both stage and screen. He has starred in such films as Steven Spielberg’s Munich, Martin Scorsese’s Silence, There Will be Blood, Road to Perdition, Harry Potter and the Deathly Hallows, Tinker Tailor Soldier Spy, In Bruges, The Phantom of the Opera, The Cook, The Thief, His Wife & Her Lover, Persuasion, First Man, Amazing Grace, Zack Snyder’s Justice League, and The Eclipse, a role for which he was awarded Best Actor at the Tribeca Film Festival. He is also known for his voice role as “Grand Pabbie” the Troll King in the animated films Frozen and Frozen II.

Television audiences know Hinds from his roles as “Mance Rayder” in Game of Thrones (HBO) and “Julius Caesar” in Rome (HBO) as well as starring roles in The English (BBC/Prime Video), Ivanhoe (A&E), Above Suspicion (ITV), Political Animals (USA), and Prime Suspect 3 (ITV). He most recently appeared in the comedy-drama series The Dry (BritBox).

Hinds’ wide-ranging theatre credits include Uncle Vanya, Translations, The Girl from the North Country, Hamlet, Cat on a Hot Tin Roof, Burnt by the Sun, Closer, The Seafarer, and many others. He toured internationally in Peter Brook’s company in The Mahabharata and has played leading roles at the Royal Shakespeare Company, the Royal Court, the Donmar Warehouse, and the National Theatre.

RORY KINNEAR

Rory Kinnear is an award-winning British actor, perhaps best known for his role as “Bill Tanner” in the James Bond films Quantum of Solace, Skyfall, and Spectre. Kinnear recently starred in Alex Garland’s Men, which premiered at the Cannes Film Festival and saw him nominated for a BIFA award. Other recent film credits include Bank of Dave, Mike Leigh’s Peterloo, Broken (for which he won Best Supporting Actor at the BIFAs), and the Academy Award- and BAFTA Award-nominated The Imitation Game. Kinnear’s TV credits include Inside No. 9 (BBC), Penny Dreadful (Sky Atlantic), Southcliffe (Channel 4, for which he was nominated for a BAFTA for Best Supporting Actor), Charlie Brooker’s Black Mirror (Channel 4), and the drama Lucan (ITV) in which he starred in the title role. He can currently be seen in Taika Waititi’s series Our Flag Means Death (HBO Max).

Kinnear is hugely respected for his theatre work, winning Best Actor at the Evening Standard Theatre Awards in 2010 for his performances in Measure for Measure (Almeida Theatre) and Hamlet (National Theatre), and again in 2013 for his performance as “Iago” in Othello (National Theatre), for which he also received an Olivier Award for Best Actor. He previously won an Olivier Award for Best Supporting Actor for his performance as “Sir Fopling Flutter” in The Man of Mode in 2008, and was nominated twice before for his performances in Hamlet and Burnt by the Sun. Most recently, Kinnear starred in Force Majeure at the Donmar Warehouse. Kinnear is also an award-winning playwright, penning his debut play The Herd in 2013. He made his directorial debut with the English National Opera’s production of The Winter’s Tale in 2017.

TANYA MOODIE

Tanya Moodie is an acclaimed British actress who won the Royal Television Society’s Breakthrough Award for the role of “Meg” in the BAFTA Award-winning comedy Motherland (BBC). Her numerous television roles include starring as “Hunter” in the miniseries adaptation of Neil Gaiman’s Neverwhere (BBC), as well as roles in Tin Star (Sky Atlantic), A Discovery of Witches (Sky One), The Man Who Fell to Earth (Showtime), and Sherlock (BBC).

Some of Moodie’s recent film roles include J.J. Abrams’ Star Wars: Episode IX – The Rise of Skywalker as “General Parnadee” and Sam Mendes’ Empire of Light as “Delia.”

In the theatre, Moodie is a two-time Olivier Award nominee for Outstanding Achievement in an Affiliate Theatre for her roles in Intimate Apparel and The House That Will Not Stand. She played “Gertrude” in Simon Godwin’s production of Hamlet for the Royal Shakespeare Company. Her performance as “Rose” opposite Lenny Henry in August Wilson’s Fences in the West End earned her a WhatsOnStage Awards nomination for Best Actress. She was nominated for a UK Theatre Award for Best Performance for her role in Trouble in Mind, and she has received additional Best Actress nominations from the London Evening Standard Theatre Awards and the UK Theatre Awards. Moodie studied at London’s Royal Academy of Dramatic Arts, where she was later employed as an associate teacher and council member.

For additional series information, please visit The Lord of the Rings: The Rings of Power press site.

All eight first season episodes are available to stream exclusively on Prime Video in more than 240 countries and territories in multiple languages.

The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings books, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and the greatest villain that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared reemergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf capital of Lindon, to the breathtaking island kingdom of Númenor, to the farthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.

The first season of The Rings of Power has been an unprecedented success, viewed by more than 100 million people worldwide, with more than 24 billion minutes streamed. The highly anticipated series attracted more than 25 million global viewers on its first day, marking the biggest premiere in the history of Prime Video, and also debuted as the No. 1 show on Nielsen’s overall streaming chart in its opening weekend. The show has also broken all previous Prime Video records for the most viewers, and has driven more Prime sign-ups worldwide during its launch window than any other previous content. Additionally, The Rings of Power is the top Original series in every region—North America, Europe, APAC, LATAM, and the rest of the world. The season finale also created a global cultural moment, with multiple series-themed hashtags, including #TheRingsofPower and others, trending in 27 countries across Twitter for over 426 cumulative hours throughout the weekend.

Season Two of the series is produced by showrunners and executive producers J.D. Payne & Patrick McKay. They are joined by executive producers Lindsey Weber, Callum Greene, Justin Doble, Jason Cahill, and Gennifer Hutchinson, along with co-executive producer Charlotte Brandström, producers Kate Hazell and Helen Shang, and co-producers Andrew Lee, Matthew Penry-Davey, and Clare Buxton.

By David Baldwin

If I were to ask you who William Shatner is, you may have a different answer depending on when you were born. Most will always him as the original Captain James T. Kirk on Star Trek, while others may just know him as the Priceline guy who appears regularly at fan conventions around the world. But who is the real William Shatner when he is not on the screen or stage in front of us?

Writer/Director Alexandre O. Philippe sets-out to answer this question in his latest Documentary/Vsual Essay, and it starts with letting us know that Shatner prefers to be called Bill now. What follows is a journey that beams around the proud Canadian’s life from a young man growing up in Montreal, to his time on television and the stage, right up to his recent flight to space on Jeff Bezos’ rocket ship. All the while, the camera stays on Bill as he discusses the journey, sitting alone in a production warehouse with the unseen spotlight focusing on him and only him.

What Bill also discusses are his feelings on life, humanity’s relationship with nature, the dying Earth and his own mortality – all delivered in his frank, precisely inflected manner of speech (including a small aside about that often parodied but never equaled style). He is more candid and open than I ever would have thought, and YOU CAN CALL ME BILL is at its best when we are watching him in these deeper moments in the warehouse or live on stage. The tiny clips of Star Trek and television ephemera (including scenes from shows he starred in pre-Kirk) are fun to see, yet seem rather trivial while Bill is tackling the sorrow of knowing that at 91, he does not have much time left.

For all those candid comments however, YOU CAN CALL ME BILL glosses over Shatner’s personal life and his relationship with the fan community. He gets in a few anecdotal comments and then goes on to something else. More frustratingly, Philippe’s breezy, thematic structure makes the film feel a bit too jumpy and unpolished. With the exception of last year’s Lynch/Oz (which was fascinating flawed), his previous films have been focused on one scene or one film. Here he is taking on an entire lifetime of one legendary individual and all the iconography that goes with it, and it feels like he is out of his element.

YOU CAN CALL ME BILL screens at SXSW ’23 as follows:

Mar 16 at 7:30pm at Paramount Theatre

By David Baldwin

Donya (Anaita Wali Zada) has been living in the US for 8 months. In Afghanistan, she was a translator for American troops. Now she is working in a fortune cookie factory either packaging the cookies or writing the fortunes. She is struggling to adapt to her new life in America, and has trouble coming out of her traumatized shell. So she sets out to change that.

Co-Writer/Director Babak Jalali’s portrait of this young woman living in an Afghan diaspora is not going to be for everyone. It is slow moving, droll and only sporadically funny. It has a lot it wants to say about Donya and her journey, but does not always find the time or ability to say it. Jalali cribs from the work of Jim Jarmusch here (with a slight hint of Woody Allen), spending more time focusing on Donya’s isolation and the mundane, wordless moments of her day than it does on her as a character. When she does discuss her trauma with psychiatrist Dr. Anthony (Gregg Turkington), the conversations devolve into nonsensical observations and bizarre moments involving Jack London’s novel White Fang.

Hollywood It-Boy Jeremy Allen White (who was terrific on 11 seasons of Shameless before he struck gold with The Bear) shows up for a bit part that is more awkward than anything else, but what really impressed me about FREMONT was the way Jalali frames Donya’s story. He tells it in 4:3, in stark black and white with minimal music, which is an all too blatant reflection of her less than thrilling existence. Stripped of colour, we learn more about Donya than the dialogue ever attempts to tell us. That gorgeous cinematography and production design is what kept me invested in FREMONT. I just wish the story did too.

FREMONT screens at SXSW ’23 as follows:

Mar 11 at 6:45pm at Violet Crown Cinema 2

Mar 11 at 7:15pm at Violet Crown Cinema 4

Mar 12 at 8:15pm at Alamo Lamar A

Mar 13 at 7:00pm at Violet Crown Cinema 2

Mar 13 at 7:30pm at Violet Crown Cinema 4