#FIRSTLOOK: “ONE BATTLE AFTER ANOTHER” AND “THE WHITE LOTUS” LEAD NOMINEES AT 2026 GOLDEN GLOBES

Nominees for the 86th annual GOLDEN GLOBE Awards have been announced and leading the way are ONE BATTLE AFTER ANOTHER in the film categories with nine nominations, and THE WHITE LOTUS Season Three with six nominations.

New this year is a category for Podcast, and most notably. WICKED: FOR GOOD failed to garner a nomination for Best Comedy or Musical.

The awards air on NBC January 11, 2026 at 8 PM ET.

Nominees include:

Best Motion Picture – Drama
Frankenstein (Netflix)
Hamnet (Focus Features)
It Was Just an Accident (Neon)
The Secret Agent (Neon)
Sentimental Value (Neon)
Sinners (Warner Bros. Pictures)

Best Motion Picture – Musical or Comedy
Blue Moon (Sony Pictures Classics)
Bugonia (Focus Features)
Marty Supreme (A24)
No Other Choice (Neon)
Nouvelle Vague (Netflix)
One Battle After Another (Warner Bros. Pictures)

Best Motion Picture – Animated
Arco (Neon)
Demon Slayer: Kimetsu No Yaiba Infinity Castle (Aniplex, Crunchyroll, Sony Pictures Entertainment)
Elio (Walt Disney Studios Motion Pictures)
Kpop Demon Hunters (Netflix)
Little Amélie or the Character of Rain (Gkids)
Zootopia 2 (Walt Disney Studios Motion Pictures)

Cinematic and Box Office Achievement
Avatar: Fire and Ash (Walt Disney Studios Motion Pictures)
F1 (Apple Original Films)
Kpop Demon Hunters (Netflix)
Mission: Impossible – The Final Reckoning (Paramount Pictures)
Sinners (Warner Bros. Pictures)
Weapons (Warner Bros. Pictures, New Line Cinema)
Wicked: For Good (Universal Pictures)
Zootopia 2 (Walt Disney Studios Motion Pictures)

Best Motion Picture – Non-English Language
It Was Just an Accident (Neon) – France
No Other Choice (Neon) – South Korea
The Secret Agent (Neon) – Brazil
Sentimental Value (Neon) – Norway
Sirāt (Neon) – Spain
The Voice of Hind Rajab (Willa) – Tunisia

Best Performance by a Female Actor in a Motion Picture – Drama
Jessie Buckley (Hamnet)
Jennifer Lawrence (Die My Love)
Renate Reinsve (Sentimental Value)
Julia Roberts (After the Hunt)
Tessa Thompson (Hedda)
Eva Victor (Sorry, Baby)

Best Performance by a Male Actor in a Motion Picture – Drama
Joel Edgerton (Train Dreams)
Oscar Isaac (Frankenstein)
Dwayne Johnson (The Smashing Machine)
Michael B. Jordan (Sinners)
Wagner Moura (The Secret Agent)
Jeremy Allen White (Springsteen: Deliver Me From Nowhere)

Best Performance by a Female Actor in a Motion Picture – Musical or Comedy
Rose Byrne (If I Had Legs I’d Kick You)
Cynthia Erivo (Wicked: For Good)
Kate Hudson (Song Sung Blue)
Chase Infiniti (One Battle After Another)
Amanda Seyfried (The Testament of Ann Lee)
Emma Stone (Bugonia)

Best Performance by a Male Actor in a Motion Picture – Musical or Comedy
Timothée Chalamet (Marty Supreme)
George Clooney (Jay Kelly)
Leonardo Dicaprio (One Battle After Another)
Ethan Hawke (Blue Moon)
Lee Byung-Hun (No Other Choice)
Jesse Plemons (Bugonia)

Best Performance by a Female Actor in a Supporting Role in Any Motion Picture
Emily Blunt (The Smashing Machine)
Elle Fanning (Sentimental Value)
Ariana Grande (Wicked: For Good)
Inga Ibsdotter Lilleaas (Sentimental Value)
Amy Madigan (Weapons)
Teyana Taylor (One Battle After Another)

Best Performance by a Male Actor in a Supporting Role in Any Motion Picture
Benicio Del Toro (One Battle After Another)
Jacob Elordi (Frankenstein)
Paul Mescal (Hamnet)
Sean Penn (One Battle After Another)
Adam Sandler (Jay Kelly)
Stellan Skarsgård (Sentimental Value)

Best Director – Motion Picture
Paul Thomas Anderson (One Battle After Another)
Ryan Coogler (Sinners)
Guillermo Del Toro (Frankenstein)
Jafar Panahi (It Was Just an Accident)
Joachim Trier (Sentimental Value)
Chloé Zhao (Hamnet)

Best Screenplay – Motion Picture
Paul Thomas Anderson (One Battle After Another)
Ronald Bronstein, Josh Safdie (Marty Supreme)
Ryan Coogler (Sinners)
Jafar Panahi (It Was Just an Accident)
Eskil Vogt, Joachim Trier (Sentimental Value)
Chloé Zhao, Maggie O’Farrell (Hamnet)

Best Original Score – Motion Picture
Alexandre Desplat (Frankenstein)
Ludwig Göransson (Sinners)
Jonny Greenwood (One Battle After Another)
Kangding Ray (Sirāt)
Max Richter (Hamnet)
Hans Zimmer (F1)

Best Original Song – Motion Picture
“Dream as One” –– Avatar: Fire and Ash
Music By: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen
Lyrics By: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon Franglen

“Golden” –– Kpop Demon Hunters
Music By: Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Park Hong Jun
Lyrics By: Kim Eun-Jae (Ejae), Mark Sonnenblick

“I Lied To You” –– Sinners
Music By: Raphael Saadiq, Ludwig Göransson
Lyrics By: Raphael Saadiq, Ludwig Göransson

“No Place Like Home” –– Wicked: For Good
Music By: Stephen Schwartz
Lyrics By: Stephen Schwartz

“The Girl in the Bubble” –– Wicked: For Good
Music By: Stephen Schwartz
Lyrics By: Stephen Schwartz

“Train Dreams” –– Train Dreams
Music By: Nick Cave, Bryce Dessner
Lyrics By: Nick Cave

Best Television Series – Drama
The Diplomat (Netflix)
The Pitt (HBO Max)
Pluribus (Apple TV)
Severance (Apple TV)
Slow Horses (Apple TV)
The White Lotus (HBO Max)

Best Television Series – Musical or Comedy
Abbott Elementary (ABC)
The Bear (FX on Hulu)
Hacks (HBO Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
The Studio (Apple TV)

Best Television Limited Series, Anthology Series or Motion Picture Made for Television
Adolescence (Netflix)
All Her Fault (Peacock)
The Beast In Me (Netflix)
Black Mirror (Netflix)
Dying for Sex (FX on Hulu)
The Girlfriend (Prime Video)

Best Performance by a Female Actor in a Television Series – Drama
Kathy Bates (Matlock)
Britt Lower (Severance)
Helen Mirren (Mobland)
Bella Ramsey (The Last of Us)
Keri Russell (The Diplomat)
Rhea Seehorn (Pluribus)

Best Performance by a Male Actor in a Television Series – Drama
Sterling K. Brown (Paradise)
Diego Luna (Andor)
Gary Oldman (Slow Horses)
Mark Ruffalo (Task)
Adam Scott (Severance)
Noah Wyle (The Pitt)

Best Performance by a Female Actor in a Television Series – Musical or Comedy
Kristen Bell (Nobody Wants This)
Ayo Edebiri (The Bear)
Selena Gomez (Only Murders In the Building)
Natasha Lyonne (Poker Face)
Jenna Ortega (Wednesday)
Jean Smart (Hacks)

Best Performance by a Male Actor in a Television Series – Musical or Comedy
Adam Brody (Nobody Wants This)
Steve Martin (Only Murders in the Building)
Glen Powell (Chad Powers)
Seth Rogen (The Studio)
Martin Short (Only Murders in the Building)
Jeremy Allen White (The Bear)

Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television
Claire Danes (The Beast in Me)
Rashida Jones (Black Mirror)
Amanda Seyfried (Long Bright River)
Sarah Snook (All Her Fault)
Michelle Williams (Dying for Sex)
Robin Wright (The Girlfriend)

Best Performance by a Male Actorin a Limited Series, Anthology Series or a Motion Picture Made for Television
Jacob Elordi (The Narrow Road to the Deep North)
Paul Giamatti (Black Mirror)
Stephen Graham (Adolescence)
Charlie Hunnam (Monster: The Ed Gein Story)
Jude Law (Black Rabbit)
Matthew Rhys (The Beast in Me)

Best Performance by a Female Actor in a Supporting Role on Television
Carrie Coon (The White Lotus)
Erin Doherty (Adolescence)
Hannah Einbinder (Hacks)
Catherine O’hara (The Studio)
Parker Posey (The White Lotus)
Aimee Lou Wood (The White Lotus)

Best Performance by a Male Actor in a Supporting Role on Television
Owen Cooper (Adolescence)
Billy Crudup (The Morning Show)
Walton Goggins (The White Lotus)
Jason Isaacs (The White Lotus)
Tramell Tillman (Severance)
Ashley Walters (Adolescence)

Best Performance in Stand-Up Comedy on Television
Bill Maher (Bill Maher: Is Anyone Else Seeing This?)
Brett Goldstein (Brett Goldstein: The Second Best Night of Your Life)
Kevin Hart (Kevin Hart: Acting My Age)
Kumail Nanjiani (Kumail Nanjiani: Night Thoughts)
Ricky Gervais (Ricky Gervais: Mortality)
Sarah Silverman (Sarah Silverman: Postmortem)

Best Podcast
Armchair Expert With Dax Shepard (Wondery)
Call Her Daddy (SiriusXM)
Good Hang With Amy Poehler (Spotify)
The Mel Robbins Podcast (SiriusXM)
Smartless (SiriusXM)
Up First (NPR)

#FIRSTLOOK: “THE THINGS YOU KILL” TO REPRESENT CANADA AT THE OSCARS 2026

The Things You Kill is representing Canada in the nomination process for Best International Feature Film at the 98th Academy Awards®, to be held on March 15, 2026. The film is directed, written and produced by Alireza Khatami, and co-produced by Tell Tall Tale, Fulgurance, Remora Films, Lava Films, Band With Pictures and Sineaktif. It is being distributed in Canada by Mongrel Media. International sales are handled by Best Friend Forever.

“The films in selection this year demonstrate the vitality of our film industry. They are diverse, compelling, and resonate with audiences at home and abroad. From these remarkable films, a jury of peers has chosen The Things You Kill to represent Canada in the Oscar® race,” said Julie Roy, Executive Director and CEO, Telefilm Canada. This choice highlights not only the exceptional talent of its creative team but also the strength of Canadian cinema as a whole. We are thrilled to celebrate this achievement and wish Alireza Khatami, Michael Solomon and the entire creative team the best of luck on this journey!”

“I am truly delighted that our film The Things You Kill has been selected to represent Canada at the Oscars,” said Alireza Khatami, Director. Eight years in the making, this film is a labour of love shaped by the dedication and generosity of so many extraordinary souls. What makes this moment especially meaningful to me is that Canada is making space for stories that BIPOC filmmakers have to share. I warmly thank the pan-Canadian Selection Committee on this important step, and I hope our selection marks the beginning of many more to come.”

The Things You Kill, which premiered at the 2025 Sundance Film Festival, will be released on September 19th, 2025. The film stars Ekin Koç, Erkan Kolçak Köstendil, Hazar Ergüçlü, and Ercan Kesal. As the appointed non-voting chair of the committee, Telefilm Canada organizes the annual pan-Canadian Selection Committee for Canada’s submission to the Best International Feature Film category at the Academy Awards®. The vote was determined by a pan-Canadian committee of industry organizations and guilds, as well as filmmakers and industry professionals appointed to represent organizations.16 films were submitted for consideration as Canada’s Choice this year.

The committee met the morning of August 26th to select the film. So far, 12 countries have submitted their entries for the Best International Feature Film category. Last year, 89 countries submitted a film.

Key dates:

September 19 – Theatrical release date of The Things You Kill
October 1, 2025 – Deadline for country submissions for the Best International Feature Film category
December 16, 2025 – Academy shortlist of 15 titles selected to move forward.
January 22, 2026 – Academy Award® nominations announced
March 15, 2026 – Academy Awards® ceremony

About The Things You Kill

Synopsis 

Haunted by the suspicious death of his ailing mother, Ali, a university professor coerces his enigmatic gardener to execute a cold-blooded act of vengeance. As long-buried family secrets resurface, the police tighten their noose, and doubts begin eroding his conscience. Ali has no choice but to look into the abyss of his own soul.

About Alireza Khatami

Alireza Khatami is a Canadian writer, director, and producer. Born into the Indigenous Khamse tribe in southeast Iran, he draws from the oral storytelling traditions of his heritage to craft films that blend magic realism with incisive social commentary. His work explores the invisible structures of power, memory, and identity through bold and unconventional cinematic language.

His debut feature, Oblivion Verses, premiered at the Venice Film Festival, winning the Orizzonti Award for Best Screenplay and the FIPRESCI Prize. His second feature, Terrestrial Verses (co-directed with Ali Asgari), premiered at Cannes in Un Certain Regard and has been released in over 15 countries.

His latest film, The Things You Kill, premiered at Sundance 2025, where it received widespread acclaim from both juries and critics, winning the World Cinema Dramatic Directing Award. Described as “brilliant” by Variety, “feverish” by IndieWire, and “a case study in how to make an effective psychological thriller” by Vulture, the film confirms Khatami’s place as a vital voice in Canadian and international cinema.

#OSCARS: “EMILIA PÉREZ” LEADS 2025 OSCAR NOMINEES

After a slight delay due to the Califormia wildfires, nominees were announced by Bowen Yang and Rachel Sennott this mroming for the 97th Academy Awards. Following its Golden Globes success, taking Best Motion Picture Comedy or Musical, Jacques Audiard‘s EMILIA PÉREZ leads the way with 13 nominations. Following behind closely with 10 nominations each are THE BRUTALIST and WICKED. Both films also recently saw success at the Golden Globes, the former winning Best Motion Picture Drama and the latter awarded for Cinematic & Box Office Achivement.

Best picture

• “Anora” (Neon)
• “The Brutalist” (A24)
• “A Complete Unknown” (Searchlight)
• “Conclave” (Focus)
• “Dune: Part Two” (Warner Bros.)
• “Emilia Pérez” (Netflix)
• “I’m Still Here” (Sony Classics)
• “Nickel Boys” (Amazon/MGM)
• “The Substance” (Mubi)
• “Wicked” (Universal)

Best director

• Sean Baker, “Anora”
• Brady Corbet, “The Brutalist”
• James Mangold, “A Complete Unknown”
• Jacques Audiard, “Emilia Pérez”
• Coralie Fargeat, “The Substance”

Best actress

• Cynthia Erivo, “Wicked”
• Karla Sofia Gascón, “Emilia Pérez”
• Mikey Madison, “Anora”
• Demi Moore, “The Substance”
• Fernanda Torres, “I’m Still Here”

Best actor

• Adrian Brody, “The Brutalist”
• Timothée Chalamet, “A Complete Unknown”
• Colman Domingo, “Sing Sing”
• Ralph Fiennes, “Conclave”
• Sebastian Stan, “The Apprentice”

Best supporting actress

• Monica Barbaro, “A Complete Unknown”
• Ariana Grande, “Wicked”
• Felicity Jones, “The Brutalist”
• Isabella Rossellini, “Conclave”
• Zoe Saldaña, “Emilia Pérez”

Best supporting actor

• Yura Borisov, “Anora”
• Kieran Culkin, “A Real Pain”
• Edward Norton, “A Complete Unknown”
• Guy Pearce, “The Brutalist”
• Jeremy Strong, “The Apprentice”

Best original screenplay

• “Anora,” Sean Baker
• “The Brutalist,” Brady Corbet & Mona Fastvold
• “A Real Pain,” Jesse Eisenberg
• “September 5,” Tim Fehlbaum & Moritz Binder
• “The Substance,” Coralie Fargeat

Best adapted screenplay

• “A Complete Unknown,” Jay Cocks & James Mangold
• “Conclave,” Peter Straughan
• “Emilia Pérez,” Jacques Audiard, Thomas Bidegain & Nicolas Livecchi
• “Nickel Boys,” RaMell Ross & Joslyn Barnes
• “Sing Sing,” Clint Bentley, Greg Kwedar, Clarence Maclin & John “Divine G” Whitfield

Best international feature

• “I’m Still Here,” Walter Salles (Brazil)
• “The Girl with the Needle,” Magnus von Horn (Denmark)
• “Emilia Pérez,” Jacques Audiard (France)
• “The Seed of the Sacred Fig,” Mohammad Rasoulof (Germany)
• “Flow,” Miguel Gomes (Latvia)

Best documentary feature

• “Black Box Diaries,” Shiori Itō (MTV)
• “No Other Land,” Basel Adra, Hamdan Ballal, Yuval Abraham & Rachel Szor (No distributor)
• “Porcelain War,” Brendan Bellomo & Slava Leontyev (Picturehouse)
• “Soundtrack for a Cout d’Etat,” Johan Grimonprez (Kino Lorber)
• “Sugarcane,” Julian Brave NoiseCat & Emily Kassie (Nat Geo)

Best animated feature

• “Flow” (Janus Films/Sideshow)
• “Inside Out 2” (Disney/Pixar)
• “Memoir of a Snail” (IFC Films)
• “Wallace & Gromit: Vengeance Most Fowl” (Aardman/Netflix)
• “The Wild Robot” (Dreamworks/Universal)

Best cinematography

• “The Brutalist,” Lol Crawley
• “Dune: Part Two,” Greig Fraser
• “Emilia Pérez,” Paul Guillaume
• “Maria,” Edward Lachman
• “Nosferatu,” Jarin Blaschke

Best costume design

• “A Complete Unknown,” Arianne Phillips
• “Conclave,” Lisy Christl
• “Gladiator II,” Janty Yates
• “Nosferatu,” Linda Muir
• “Wicked,” Paul Tazewell

Best film editing

• “Anora,” Sean Baker
• “The Brutalist,” Dávid Jancsó
• “Conclave,” Nick Emerson
• “Emilia Pérez,” Juliette Welfling
• “Wicked,” Myron Kerstein

Best production design

• “The Brutalist,” Judy Becker
• “Conclave,” Suzie Davies
• “Dune: Part Two,” Patrice Vermette
• “Nosferatu,” Craig Lathrop
• “Wicked,” Nathan Crowley

Best original score

• “The Brutalist,” Daniel Blumberg
• “Conclave,” Volker Bertelmann
• “Emilia Pérez,” Clément Ducol & Camille
• “Wicked,” John Powell & Stephen Schwartz
• “The Wild Robot,” Kris Bowers

Best original song

• “Never Too Late,” “Elton John: Never Too Late” (Elton John & Brandi Carlile)
• “El Mal,” “Emilia Pérez” (Clement Ducol, Camille & Jacques Audiard)
• “Mi Camino,” “Emilia Pérez” (Clement Ducol & Camille)
• “Like a Bird,” “Sing Sing” (Adrian Quesada & Abraham Alexander)
• “The Journey,” “The Six Triple Eight” (Diane Warren)

Best sound

• “A Complete Unknown”
• “Dune: Part Two”
• “Emilia Pérez”
• “Wicked”
• “The Wild Robot”

Best visual effects

• “Alien: Romulus”
• “Better Man”
• “Dune: Part Two”
• “Kingdom of the Planet of the Apes”
• “Wicked”

Best makeup and hairstyling

• “A Different Man”
• “Emilia Pérez”
• “Nosferatu”
• “The Substance”
• “Wicked”

Best documentary short

• “Death by Numbers”
• “I Am Ready, Warden”
• “Incident”
• “Instruments of a Beating Heart”
• “The Only Girl in the Orchestra”

Best animated short

• “Beautiful Men”
• “In the Shadow of the Cypress”
• “Magic Candies”
• “Wander to Wonder”
• “Yuck!”

Best live-action short

• “A Lien”
• “Anuja”
• “I’m Not a Robot”
• “The Last Ranger”
• “The Man Who Could Not Remain Silent”

The Oscars are scheduled on March 2, 2025 at the Dolby Theatre in Hollywood, to be aired on ABC at 7 PM ET.

#GOLDENGLOBES: “THE BRUTALIST”, “EMILIA PÉREZ” AND “SHOGUN” LEAD WINNERS AT 2025 GOLDEN GLOBE AWARDS

Honouring the best in Television and Cinema, the 82nd Golden Globe Awards were held tonight in Los Angeles. Leading the way in the Cinema categories was THE BRUTALIST taking Best Director (Brady Corbet), Actor (Adrien Brody) and Best Motion Picture Drama, strengthening its case for Best Picture at the impending Academy Awards in March.

But if anything, the race for Best Picture is as competitive as ever with Jacques Audiard‘s EMILIA PÉREZ also taking Best Motion Picture Comedy or Musical, Best Motion Picture Non-English Language, Best Original Song (“El Mal”), and Best Supporting Actress (Zoe Saldana).

Cinematic and Box Office Achievement would go to Jon M. Chu‘s WICKED, which also is in the running for Best Picture at the Academy Awards. The Film, released late November, already has grossed over $680 million globally.

FX‘s SHŌGUN dominated the Television categories, winning Best Television Series Drama, Best Actor in a Television Series Drama (Hiroyuki Sanada), Best Actress in a TV Series (Anna Sawai), and Best Supporting Actor in a Television Series (Tadanobu Asano).

In the Television Series Comedy categories, HBO‘s HACKS would dominate, taking Best Television Series Comedy and Best Actress in a Television Series Comedy (Jean Smart).

Some of the biggest surprises of the night include wins from THE SUBSTANCE star Demi Moore upsetting the Best Actress in a Motion Picture Comedy category, a category in which ANORA‘s Mikey Madison is seen as the frontrunner. Brazilian screen legend Fernanda Torres also would upset Best Actress in a Motion Picture Drama for her work in I’M STILL HERE, denying the likes of Nicole Kidman who has been lauded for her work in BABYGIRL.

Complete list of winners:

Best Performance by an Actress in a Supporting Role in any Motion Picture

• Zoe Saldaña, “Emilia Pérez” — Winner
• Ariana Grande, “Wicked”
• Selena Gomez, “Emilia Pérez”
• Felicity Jones, “The Brutalist”
• Margaret Qualley, “The Substance”
• Isabella Rossellini, “Conclave”

Best Performance by an Actress in a Television Series — Musical or Comedy

• Jean Smart, “Hacks” — Winner
• Kristen Bell, “Nobody Wants This”
• Quinta Brunson, “Abbott Elementary”
• Ayo Edebiri, “The Bear”
• Selena Gomez, “Only Murders in the Building”
• Kathryn Hahn, “Agatha All Along”

Best Performance by an Actor in a Supporting Role in Any Motion Picture

• Kieran Culkin, “A Real Pain” — Winner
• Yura Borisov, “Anora”
• Edward Norton, “A Complete Unknown”
• Guy Pearce, “The Brutalist”
• Jeremy Strong, “The Apprentice”
• Denzel Washington, “Gladiator II”

Best Performance by an Actor in a Television Series — Drama

• Hiroyuki Sanada, “Shōgun” — Winner
• Donald Glover, “Mr. & Mrs. Smith”
• Jake Gyllenhaal, “Presumed Innocent”
• Gary Oldman, “Slow Horses”
• Eddie Redmayne, “The Day of the Jackal”
• Billy Bob Thornton, “Landman”

Best Performance by an Actress in a Supporting Role in a Television Series

• Jessica Gunning, “Baby Reindeer” — Winner
• Liza Colon-Zayas, “The Bear”
• Hannah Einbinder, “Hacks”
• Dakota Fanning, “Ripley”
• Allison Janney, “The Diplomat”
• Kali Reis, “True Detective: Night Country”

Best Performance by an Actor in a Supporting Role in a Television Series

• Tadanobu Asano, “Shōgun” — Winner
• Javier Bardem, “Monsters: The Lyle and Erik Menendez Story”
• Harrison Ford, “Shrinking”
• Jack Lowden, “Slow Horses”
• Diego Luna, “La Maquina”
• Ebon Moss-Bachrach, “The Bear”

Best Performance by an Actor in a Television Series — Musical or Comedy

• Jeremy Allen White, “The Bear” — Winner
• Adam Brody, “Nobody Wants This”
• Ted Danson, “A Man on the Inside”
• Steve Martin, “Only Murders in the Building”
• Martin Short, “Only Murders in the Building”
• Jason Segel, “Shrinking”

Best Screenplay — Motion Picture

• Peter Straughan, “Conclave” — Winner
• Jacques Audiard, “Emilia Pérez” 
• Sean Baker, “Anora”
• Brady Corbet, Mona Fastvold, “The Brutalist”
• Jesse Eisenberg, “A Real Pain”
• Coralie Fargeat, “The Substance”

Best Performance in Stand-Up Comedy on Television

• Ali Wong, “Single Lady” — Winner
• Jamie Foxx, “What Had Happened Was”
• Nikki Glaser, “Someday You’ll Die”
• Seth Meyers, “Dad Man Walking”
• Adam Sandler, “Love You”
• Ramy Youssef, “More Feelings”

Best Motion Picture — Non-English Language

• “Emilia Pérez” — Winner
• “All We Imagine as Light”
• “The Girl with the Needle”
• “I’m Still Here”
• “The Seed of the Sacred Fig”
• “Vermiglio”

Best Performance by an Actor in a Limited Series, Anthology Series or Motion Picture Made for Television

• Colin Farrell, “The Penguin” — Winner
• Richard Gadd, “Baby Reindeer”
• Kevin Kline, “Disclaimer”
• Cooper Koch, “Monsters: The Lyle and Erik Menendez Story”
• Ewan McGregor, “A Gentleman in Moscow”
• Andrew Scott, “Ripley”

Best Performance by an Actress in a Limited Series, Anthology Series or Motion Picture Made for Television

• Jodie Foster, “True Detective: Night Country” — Winner
• Cate Blanchett, “Disclaimer”
• Cristin Milioti, “The Penguin”
• Sofia Vergara, “Griselda”
• Naomi Watts, “Feud: Capote vs. The swans”
• Kate Winslet, “The Regime”

Best Performance by an Actress in a Motion Picture — Musical or Comedy

• Demi Moore, “The Substance” — Winner
• Amy Adams, “Nightbitch”
• Cynthia Erivo, “Wicked”
• Karla Sofía Gascón, “Emilia Pérez”
• Zendaya, “Challengers”
• Mikey Madison, “Anora”

Best Performance by an Actor in a Motion Picture — Musical or Comedy

• Sebastian Stan, “A Different Man” — Winner
• Jesse Eisenberg, “A Real Pain”
• Hugh Grant, “Heretic”
• Gabriel LaBelle, “Saturday Night”
• Jesse Plemons, “Kinds of Kindness”
• Glen Powell, “Hit Man”

Best Motion Picture — Animated

• “Flow” — Winner
• “Inside Out 2”
• “Memoir of a Snail”
• “Moana 2”
• “Wallace & Gromit: Vengeance Most Fowl”
• “The Wild Robot”

Best Director — Motion Picture

• Brady Corbet, “The Brutalist” — Winner
• Jacques Audiard, “Emilia Pérez”
• Sean Baker, “Anora”
• Edward Berger, “Conclave”
• Coralie Fargeat, “The Substance”
• Payal Kapadia, “All We Imagine as Light”

Best Original Score — Motion Picture

• Trent Reznor, Atticus Ross, “Challengers” — Winner
• Volker Bertelmann, “Conclave”
• Daniel Blumberg, “The Brutalist”
• Kris Bowers, “The Wild Robot”
• Clément Ducol, Camille, “Emilia Pérez”
• Hans Zimmer, “Dune: Part Two”

Best Original Song — Motion Picture

• “El Mal,” by Clément Ducol, Camille and Jacques Audiard (from “Emilia Pérez”) — Winner
• “Beautiful That Way,” by Miley Cyrus, Lykke Li and Andrew Wyatt (from “The Last Showgirl”)
• “Compress/Repress,” by Trent Reznor, Atticus Ross & Luca Guadagnino (from “Challengers”)
• “Forbidden Road,” by Robbie Williams, Freddy Wexler & Sacha Skarbek (“Better Man”)
• “Kiss The Sky,” by Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack & Ali Tamposi (from “The Wild Robot”)
• “Mi Camino,” by Clément Ducol and Camille (from “Emilia Pérez”)

Cinematic and Box Office Achievement

• “Wicked” — Winner
• “Alien: Romulus”
• “Beetlejuice Beetlejuice”
• “Deadpool & Wolverine”
• “Gladiator II”
• “Inside Out 2”
• “Twisters”
• “The Wild Robot”

Best Television Limited Series, Anthology Series or Motion Picture Made for Television

• “Baby Reindeer” — Winner
• “Disclaimer”
• “Monsters: The Lyle and Eric Menendez Story”
• “The Penguin”
• “Ripley”
• “True Detective: Night Country”

Best Television Series — Comedy Or Musical

• “Hacks” — Winner
• “Abbott Elementary”
• “The Bear”
• “The Gentlemen”
• “Nobody Wants This”
• “Only Murders in the Building”

Best Performance by an Actress in a Television Series — Drama

• Anna Sawai, “Shōgun” — Winner
• Kathy Bates, “Matlock”
• Emma D’Arcy, “House of the Dragon”
• Maya Erskine, “Mr. and Mrs. Smith”
• Keira Knightley, “Black Doves”
• Keri Russell, “The Diplomat”

Best Television Series — Drama

• “Shōgun” — Winner
• “Mr. and Mrs. Smith”
• “The Diplomat”
• “Squid Game”
• “Slow Horses”
• “The Day of the Jackal”

Best Performance by an Actress in a Motion Picture — Drama

• Fernanda Torres, “I’m Still Here” — Winner
• Pamela Anderson, “The Last Showgirl”
• Angelina Jolie, “Maria”
• Nicole Kidman, “Babygirl”
• Tilda Swinton, “The Room Next Door”
• Kate Winslet, “Lee”

Best Performance by an Actor in a Motion Picture — Drama

• Adrien Brody, “The Brutalist” — Winner
• Timothée Chalamet, “A Complete Unknown”
• Daniel Craig, “Queer”
• Colman Domingo, “Sing Sing”
• Ralph Fiennes, “Conclave”
• Sebastian Stan, “The Apprentice”

Best Motion Picture — Drama

• “The Brutalist” — Winner
• “A Complete Unknown”
• “Conclave”
• “Dune: Part Two”
• “Nickel Boys”
• “September 5”

Best Motion Picture — Musical or Comedy

• “Emilia Pérez” — Winner
• “Anora”
• “Challengers”
• “A Real Pain”
• “The Substance”
• “Wicked”

Our highlights on CBC News:

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#FIRSTLOOK: “UNIVERSAL LANGUAGE” CANADA’S SELECTION FOR OSCARS INTERNATIONAL FEATURE FILM

Universal Language is representing Canada in the nomination process for Best International Feature Film at the 97th Academy Awards®, to be held on March 2, 2025. The film is directed by Matthew Rankin, written by Matthew Rankin, Pirouz Nemati and Ila Firouzabadi and produced by Metafilms. It is being distributed in Canada by Maison 4:3. International sales are handled by Oscilloscope Laboratories.

“This year’s film submissions brilliantly showcase the exceptional talent that makes Canada shine. Universal Language by director Matthew Rankin has been selected by a jury of industry peers to represent Canada in the race for the Oscar® for Best International Feature Film,” says Julie Roy, Executive Director and CEO of Telefilm Canada. “This film is emblematic of our national cinematography: with the success it has enjoyed since its launch at Cannes, no matter what the language, it reaches audiences here and abroad. That’s the power of cinema! We wish Matthew Rankin, Sylvain Corbeil and the entire creative team the best of luck!”

“We are amazed by this improbable selection and we will do our very best to represent Canada at the Oscars,” said director Matthew Rankin. “Universal Language is an expression of very great collective joy between myself and my friends Pirouz Nemati, Ila Firouzabadi, Sylvain Corbeil and all the beautiful and hilarious people who created this strange, triangle-shaped, Irano-Winnipego-Québécois brain which became our film, beh naamé doosti (in the Name of Friendship).”

Universal Language, which world premiered at the 2024 Cannes Film Festival, will have its North American premiere at TIFF on September 10, 2024. The film stars Rojina Esmaeili, Saba Vahedyousefi, Pirouz Nemati, Mani Soleymanlou and Matthew Rankin.

As the appointed non-voting chair of the committee, Telefilm Canada organizes the annual pan-Canadian Selection Committee for Canada’s submission to the Best International Feature Film category at the Academy Awards®.

The vote was determined by a pan-Canadian committee of industry organizations and guilds, as well as filmmakers and industry professionals appointed to represent organizations. Twenty-six films were submitted for consideration as Canada’s Choice this year. The committee met the morning of August 27th to select the film.

So far, nine countries have submitted their entries for the Best International Feature Film category. Last year, 88 countries submitted a film. 

Key dates:

September 20, 2024 – Theatrical release date of Universal Language
October 2, 2024– Deadline for country submissions for the Best International Feature Film category
December 17, 2024 – Academy shortlist of 15 titles selected to move forward.
January 17, 2025 – Academy Award® nominations announced
March 2, 2025 – Academy Awards® ceremony
 

About Universal Language

Synopsis :

Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a large sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-absurd walking tour of Winnipeg monuments and historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother. Time, geography and identities crossfade, interweave and collide into a surreal comedy of misdirection.

Structured like a Venn diagram – at the point of confluence between Jacques Tati and Abbas Kiarostami’s Koker Trilogy – Universal Language is at once a diary film, an absurdist city symphony and a welling-up of confinement-era emotion exploring the mysterious interzone where one person ends and the rest of the world begins. An elusive, half remembered dream of home, solitude, our responsibilities to others and the wild turkeys that haunt us.

About Canada in the Best International Feature Film category at the Oscars®  

In the history of the Oscars®, eight Canadian films have been official nominees in the Best International Feature Film (formerly known as the Best Foreign Language Film category): in 2013, Rebelle, by Kim Nguyen; in 2012, Monsieur Lazhar, by Philippe Falardeau and In Darkness, by Agnieszka Holland (a minority coproduction with Poland and Germany); in 2011, Incendies, by Denis Villeneuve; and, in 2007, Water, by Deepa Mehta. The list also includes three films by Denys Arcand: Le Déclin de l’empire américain, in 1987, Jésus de Montréal, in 1990 and, in 2004, Les Invasions barbares, the only Canadian film to have won the Oscar® in this category.  

About the selection process for the Best International Feature Film category 

Telefilm Canada coordinates and chairs the pan-Canadian Selection Committee, without voting right. The committee comprises some 10 members representing key government agencies and national film industry associations. Each of them may appoint a representative to the jury, in accordance with Academy rules. It is responsible for choosing the film that will represent Canada at the Oscars®, which accepts only one film per country for the Best International Feature Film category.

Academy rules were modified in 2023, specifying that juries must include a minimum of 50% craftspeople that are currently active in the film industry. Jury members must screen all submissions before participating in a virtual conference to evaluate and vote on which film will best represent Canada at the Oscars®. Jurors are encouraged to consider the quality of the films, as well as their international competitiveness.

Submitted films must have been produced outside the United States in a language of at least 51% other than English and must have been theatrically exhibited in the submitting country for at least seven consecutive days between November 1, 2023, and September 30, 2024.

About Telefilm Canada  

As a Partner of Choice, Telefilm Canada is a Crown corporation dedicated to the success of Canada’s audiovisual industry, fostering access and excellence by delivering programs that support cultural resonance and audience engagement. With a lens of equity, inclusivity and sustainability, Telefilm bolsters dynamic companies and a range of creative talent at home and around the world. Telefilm also makes recommendations regarding the certification of audiovisual coproduction treaties to the Minister of Canadian Heritage, and administers the programs of the Canada Media Fund. Launched in 2012, the Talent Fund raises private donations which principally support emerging talent. Visit telefilm.ca and follow us on Twitter at twitter.com/Telefilm_Canada and on Facebook at facebook.com/telefilmcanada.  

#OSCARS: “OPPENHEIMER” LEADS THE WAY WITH SEVEN WINS

Awards season officially has wrapped with the 96th Academy Awards having taken place at Dolby Theatre. Though OPPENHEIMER was pitted much against BARBIE this past Summer at the Box Office, alas it would be the one to dominate Awards Season, taking home seven Oscars, including the ultimate crown of Best Picture. Other wins for the Blockbuster include Directing (Christopher Nolan), Best Actor (Cillian Murphy), Best Supporting Actor (Robert Downey Jr.), Best Cinematography (Hoyte van Hoytema), Best Original Score (Ludwig Göransson) and Best Editing (Jennifer Lame).

Yorgos Lanthimos’ POOR THINGS also would go on to glory, taking home four Oscars including Best Actress (Emma Stone), Best Production Design (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek), Best Makeup & Hairstyling (Nadia Stacey, Mark Coulier and Josh Weston) and Best Costume Design (Holly Waddington). Stone has the distinction of becoming the thirteenth Actress to win a second Oscar.

Jimmy Kimmel returned as host for the fourth time, drawing raves from the audience, capped-off by a clap back at former President Donald Trump who posted negative remarks about Kimmel online. Kimmel replied, “Thank you President Trump for watching. Isn’t it past your jail time?”, which was met with laughs and cheers.

While BARBIE was no match for OPPENHEIMER, it still took home gold for Best Original Song with Finneas & Billie Eilish‘s “What Was I Made For“, and a showstopping performance of “I’m Just Ken” by Ryan Gosling was a dazzling spectable, to be talked about for many years to come.

Complete list of winners:

Best picture

• “Oppenheimer” — Winner
• “American Fiction”
• “Anatomy of a Fall”
• “Barbie”
• “The Holdovers”
• “Killers of the Flower Moon”
• “Maestro”
• “Past Lives”
• “Poor Things”
• “The Zone of Interest”

Best supporting actress

• Da’Vine Joy Randolph, “The Holdovers” — Winner
• Emily Blunt, “Oppenheimer”
• Danielle Brooks, “The Color Purple”
• America Ferrera, “Barbie”
• Jodie Foster, “Nyad”

Best animated short film

• “War Is Over! Inspired by the Music of John & Yoko” — Winner
• “Letter to a Pig”
• “Ninety-Five Senses”
• “Our Uniform”
• “Pachyderm”

Best animated feature film

• “The Boy and the Heron” — Winner
• “Elemental”
• “Nimona”
• “Robot Dreams”
• “Spider-Man: Across the Spider-Verse”

Best original screenplay

• “Anatomy of a Fall” — Winner
• “The Holdovers”
• “Maestro”
• “May December”
• “Past Lives”

Best adapted screenplay

• “American Fiction” — Winner
• “Barbie”
• “Oppenheimer”
• “Poor Things”
• “The Zone of Interest”

Best makeup and hairstyling

• “Poor Things” — Winner
• “Golda”
• “Maestro”
• “Oppenheimer”
• “Society of the Snow”

Best production design

• “Poor Things” — Winner
• “Barbie”
• “Killers of the Flower Moon”
• “Napoleon”
• “Oppenheimer”

Best costume design

• “Poor Things” — Winner
• “Barbie”
• “Killers of the Flower Moon”
• “Napoleon”
• “Oppenheimer”

Best international feature film

• “The Zone of Interest,” United Kingdom — Winner
• “Io Capitano,” Italy
• “Perfect Days,” Japan
• “Society of the Snow,” Spain
• “The Teachers’ Lounge,” Germany

Best supporting actor

• Robert Downey Jr., “Oppenheimer” — Winner
• Sterling K. Brown, “American Fiction”
• Robert De Niro, “Killers of the Flower Moon”
• Ryan Gosling, “Barbie”
• Mark Ruffalo, “Poor Things”

Best visual effects

• “Godzilla Minus One” — Winner
• “The Creator”
• “Guardians of the Galaxy Vol. 3”
• “Mission: Impossible – Dead Reckoning Part One”
• “Napoleon”

Best film editing

• “Oppenheimer” — Winner
• “Anatomy of a Fall”
• “The Holdovers”
• “Killers of the Flower Moon”
• “Poor Things”

Best documentary short film

• “The Last Repair Shop” — Winner
• “The ABCs of Book Banning”
• “The Barber of Little Rock”
• “Island in Between”
• “Nǎi Nai & Wài Pó”

Best documentary feature film

• “20 Days in Mariupol” — Winner
• “Bobi Wine: The People’s President”
• “The Eternal Memory”
• “Four Daughters”
• “To Kill a Tiger”

Best cinematography

• “Oppenheimer” — Winner
• “El Conde”
• “Killers of the Flower Moon”
• “Maestro”
• “Poor Things”

Best live action short film

• “The Wonderful Story of Henry Sugar” — Winner
• “The After”
• “Invincible”
• “Knight of Fortune”
• “Red, White and Blue”

Best sound

• “The Zone of Interest” — Winner
• “The Creator”
• “Maestro”
• “Mission: Impossible – Dead Reckoning Part One”
• “Oppenheimer”

Best original score

• “Oppenheimer” — Winner
• “American Fiction”
• “Indiana Jones and the Dial of Destiny”
• “Killers of the Flower Moon”
• “Poor Things”

Best original song

• “What Was I Made For?” from “Barbie” — Winner
• “It Never Went Away” from “American Symphony”
• “I’m Just Ken” from “Barbie”
• “The Fire Inside” from “Flamin’ Hot”
• “Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon”

Best actor

• Cillian Murphy, “Oppenheimer” — Winner
• Bradley Cooper, “Maestro”
• Colman Domingo, “Rustin”
• Paul Giamatti, “The Holdovers”
• Jeffrey Wright, “American Fiction”

Best director

• Christopher Nolan, “Oppenheimer” — Winner
• Jonathan Glazer, “The Zone of Interest”
• Yorgos Lanthimos, “Poor Things”
• Martin Scorsese, “Killers of the Flower Moon”
• Justine Triet, “Anatomy of a Fall”

Best actress

• Emma Stone, “Poor Things” — Winner
• Annette Bening, “Nyad”
• Lily Gladstone, “Killers of the Flower Moon”
• Sandra Hüller, “Anatomy of a Fall”
• Carey Mulligan, “Maestro”

(Photo credit: Getty Images)

#OSCARS: “OPPENHEIMER” LEADS WAY AMONG 96TH ACADEMY AWARD NOMINEES

Nominees for the 96th Academy Awards were announced today. Leading the way is Christopher Nolan’s OPPENHEIMER with a whopping 13 nominations and Yorgos Lanthimos’ POOR THINGS, closely behind with 11 nominations.

Some surprises include exclusion of Charles Melton and Natalie Portman for MAY DECEMBER, and they’ve been in the running much of Awards Season. While nominated for Best Picture, PAST LIVES star Greta Lee wasn’t among the list of nominees as well. The same can be said about Director Greta Gerwig for Directing and Margot Robbie for Best Actress for her performance in record-smashing BARBIE.

Here are the nominees:

Best picture

• “American Fiction”
• “Anatomy of a Fall”
• “Barbie”
• “The Holdovers”
• “Killers of the Flower Moon”
• “Maestro”
• “Oppenheimer”
• “Past Lives”
• “Poor Things”
• “The Zone of Interest”

Best actor

• Bradley Cooper, “Maestro”
• Colman Domingo, “Rustin”
• Paul Giamatti, “The Holdovers”
• Cillian Murphy, “Oppenheimer”
• Jeffrey Wright, “American Fiction”

Best actress

• Annette Bening, “Nyad”
• Lily Gladstone, “Killers of the Flower Moon”
• Sandra Hüller, “Anatomy of a Fall”
• Carey Mulligan, “Maestro”
• Emma Stone, “Poor Things”

Best supporting actor

• Sterling K. Brown, “American Fiction”
• Robert De Niro, “Killers of the Flower Moon”
• Robert Downey Jr., “Oppenheimer”
• Ryan Gosling, “Barbie”
• Mark Ruffalo, “Poor Things”

Best supporting actress

• Emily Blunt, “Oppenheimer”
• Danielle Brooks, “The Color Purple”
• America Ferrera, “Barbie”
• Jodie Foster, “Nyad”
• Da’Vine Joy Randolph, “The Holdovers”

Best director

• Jonathan Glazer, “The Zone of Interest”
• Yorgos Lanthimos, “Poor Things”
• Christopher Nolan, “Oppenheimer”
• Martin Scorsese, “Killers of the Flower Moon”
• Justine Triet, “Anatomy of a Fall”

International feature film

• “Io Capitano,” Italy
• “Perfect Days,” Japan
• “Society of the Snow,” Spain
• “The Teachers’ Lounge,” Germany
• “The Zone of Interest,” United Kingdom

Animated feature film

• “The Boy and the Heron”
• “Elemental”
• “Nimona”
• “Robot Dreams”
• “Spider-Man: Across the Spider-Verse”

Adapted screenplay

• “American Fiction”
• “Barbie”
• “Oppenheimer”
• “Poor Things”
• “The Zone of Interest”

Original screenplay

• “Anatomy of a Fall”
• “The Holdovers”
• “Maestro”
• “May December”
• “Past Lives”

Visual effects

• “The Creator”
• “Godzilla Minus One”
• “Guardians of the Galaxy Vol. 3”
• “Mission: Impossible – Dead Reckoning Part One”
• “Napoleon”

Original score

• “American Fiction”
• “Indiana Jones and the Dial of Destiny”
• “Killers of the Flower Moon”
• “Oppenheimer”
• “Poor Things”

Original song

• “It Never Went Away” from “American Symphony”
• “I’m Just Ken” from “Barbie”
• “What Was I Made For?” from “Barbie”
• “The Fire Inside” from “Flamin’ Hot”
• “Wahzhazhe (A Song For My People)” from “Killers of the Flower Moon”

Documentary feature film

• “20 Days in Mariupol”
• “Bobi Wine: The People’s President”
• “The Eternal Memory”
• “Four Daughters”
• “To Kill a Tiger”

Cinematography

• “El Conde”
• “Killers of the Flower Moon”
• “Maestro”
• “Oppenheimer”
• “Poor Things”

Costume design

• “Barbie”
• “Killers of the Flower Moon”
• “Napoleon”
• “Oppenheimer”
• “Poor Things”

Animated short film

• “Letter to a Pig”
• “Ninety-Five Senses”
• “Our Uniform”
• “Pachyderme”
• “War Is Over! Inspired by the Music of John & Yoko”

Live action short film

• “The After”
• “Invincible”
• “Knight of Fortune”
• “Red, White and Blue”
• “The Wonderful Story of Henry Sugar”

Documentary short film

• “The ABCs of Book Banning”
• “The Barber of Little Rock”
• “Island in Between”
• “The Last Repair Shop”
• “Nǎi Nai & Wài Pó”

Film editing

• “Anatomy of a Fall”
• “The Holdovers”
• “Killers of the Flower Moon”
• “Oppenheimer”
• “Poor Things”

Sound

• “The Creator”
• “Maestro”
• “Mission: Impossible – Dead Reckoning Part One”
• “Oppenheimer”
• “The Zone of Interest”

Production design

• “Barbie”
• “Killers of the Flower Moon”
• “Napoleon”
• “Oppenheimer”
• “Poor Things”

Makeup and hairstyling

• “Golda”
• “Maestro”
• “Oppenheimer”
• “Poor Things”
• “Society of the Snow”

The Academy Awards air March 10, 2024 at 8 PM on ABC.

#FIRSTLOOK: “ROJEK” TO REPRESENT CANADA FOR INTERNATIONAL FEATURE FILM

ROJEK is representing Canada in the nomination process for Best International Feature Film at the 96th Academy Awards®, to be held on March 10, 2024. The film is directed and written by Zaynê Akyol, and produced by Audrey-Ann Dupuis-Pierre, Sylvain Corbeil, and Zaynê Akyol of Métafilms. It is being distributed in Canada by Maison 4:3 and in the United States by Icarus Films.  International sales are handled by Andana Films. 

“In what may have been Canada’s most competitive year ever, ROJEK was selected by a jury of industry peers as the film to best represent Canada in the Oscar® race,” said Julie Roy, Executive Director and CEO, of Telefilm Canada. “This announcement marks the beginning of an incredible journey and a one-of-a-kind opportunity for ROJEK to reach audiences around the world and give them just a taste of the quality of filmmaking that Canada has to offer. We wish Zaynê, Metafilms, and the entire creative team all the best of luck as they move forward.”

“Being chosen to represent Canada at the Oscars® with ROJEK is a tremendous honour,” said Zaynê Akyol, director, writer, and producer. “I would like to express my deep gratitude to the pan-Canadian selection committee for this recognition. Also, a sincere thank you to my dedicated team, who continually pushed the boundaries of creativity and excellence. This moment is the fruit of our shared passion and unwavering commitment to cinema and justice.”

The documentary is told in a mix of Arabic, English, French, and Kurdish. It opened in Canadian theatres on January 20, 2023, and is available for rental on all major platforms.

ROJEK premiered at the 2022 Visions du Réel Film Festival in Nyon, Switzerland. It has screened at festivals around the world, including winning the DGC Special Jury Prize – Canadian Feature Documentary at the 2022 Hot Docs Canadian International Film Festival.

As the appointed non-voting chair of the committee, Telefilm Canada organizes the annual pan-Canadian Selection Committee for Canada’s submission to the Best International Feature Film category at the Academy Awards®.

The vote was determined by a pan-Canadian committee of industry organizations and guilds, as well as filmmakers and industry professionals appointed to represent organizations. Overall, 28 films were submitted for consideration as Canada’s Choice this year. The committee met the morning of August 24 to select the film.

So far, seven countries have submitted their entries for the Best International Feature Film category. Last year, 93 countries submitted a film.

Key dates:

October 2, 2023 – Deadline for country submissions for the Best International Feature Film category
December 21, 2023 – Academy shortlist of 15 titles selected to move forward.
January 23, 2024 – Academy Award® nominations announced
March 10, 2024 – Academy Awards® ceremony

About ROJEK

Synopsis 

ROJEK encounters incarcerated members of the Islamic State from all over the world, as well as their wives detained in prison-camps, who are sharing a common dream: establishing a caliphate. Confronted with the fundamentalist beliefs of the jihadists, the film attempts to trace the beginning, the rise and fall of the Islamic State (ISIS) through their personal stories. These conversations are the thread along which the documentary evolves, as it is intertwined with various sequences depicting current, post-war Syrian Kurdistan.

ROJEK offers an intimate gaze at an unknown reality, testifying of pivotal moments experienced by the actors of this conflict. The film tackles how this ideological war is only the beginning of a new kind of threat.

#OSCARS: “EVERYTHING EVERYWHERE ALL AT ONCE” LEADS WAY WITH 11 NOMINATIONS

Allison Williams and Riz Ahmed unveiled nominees at the upcoming 95th Academy Awards. Leading the way this year is The Daniels’ EVERYTHING EVERYWHERE ALL AT ONCE with 11 nominations including Best Picture, Directing, Lead Actress, Supporting Actor and Actress. Canada’s Elevation Pictures gets a whopping twenty nominations this year with other films on their roster including THE WHALE and TRIANGLE OF SADNESS, also up for Best Picture. TIFF ’22 selection ALL QUIET ON THE WESTERN FRONT is a surprise late entrant in the race with an impressive nine nominations for Netfflix.

The Academy Awards take place March 12, 2023 at 8:00 p.m. EDT and air on ABC.

Nominees this year as as follows:

Best Picture

All Quiet on the Western Front (Netflix)

Avatar: The Way of Water (20th Century Studios)

The Banshees of Inisherin (Searchlight Pictures)

Elvis (Warner Bros)

Everything Everywhere All at Once (A24)

The Fabelmans (Universal Pictures)

Tár (Focus Features)

Top Gun: Maverick (Paramount Pictures)

Triangle of Sadness (NEON)

Women Talking (United Artists Releasing/Orion Pictures)

Actor in a Leading Role

Austin Butler in Elvis

Colin Farrell in The Banshees of Inisherin

Brendan Fraser in The Whale

Paul Mescal in Aftersun

Bill Nighy in Living

Actor in a Supporting Role

Brendan Gleeson in The Banshees of Inisherin

Brian Tyree Henry in Causeway

Judd Hirsch in The Fabelmans

Barry Keoghan in The Banshees of Inisherin

Ke Huy Quan in Everything Everywhere All at Once

Actress in a Leading Role

Cate Blanchett in Tár

Ana de Armas in Blonde

Andrea Riseborough in To Leslie

Michelle Williams in The Fabelmans

Michelle Yeoh in Everything Everywhere All at Once

Actress in a Supporting Role

Angela Bassett in Black Panther: Wakanda Forever

Hong Chau in The Whale

Kerry Condon in The Banshees of Inisherin

Jamie Lee Curtis in Everything Everywhere All at Once

Stephanie Hsu in Everything Everywhere All at Once

Animated Feature Film

Guillermo del Toro’s Pinocchio (Netflix)

Marcel the Shell With Shoes On (A24)

Puss in Boots: The Last Wish (Universal Pictures)

The Sea Beast

Turning Red (Walt Disney)

Cinematography

All Quiet on the Western Front

Bardo, False Chronicle of a Handful of Truths

Elvis

Empire of Light

Tár

Costume Design

Babylon

Black Panther: Wakanda Forever

Elvis

Everything Everywhere All at Once

Mrs. Harris Goes to Paris

Directing

Martin McDonagh, The Banshees of Inisherin (Searchlight Pictures)

Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once (A24)

Steven Spielberg, The Fabelmans (Universal Pictures)

Todd Field, Tár (Focus Features)

Ruben Östlund, Triangle of Sadness (NEON)

Documentary Feature Film

All That Breathes

All the Beauty and the Bloodshed

Fire of Love

A House Made of Splinters

Navalny

Documentary Short Film

The Elephant Whisperers

Haulout

How Do You Measure a Year?

The Martha Mitchell Effect

Stranger at the Gate

Film Editing

The Banshees of Inisherin

Elvis

Everything Everywhere All at Once

Tár

Top Gun: Maverick

International Feature Film

All Quiet on the Western Front
Germany

Argentina, 1985
Argentina

Close
Belgium

EO
Poland

The Quiet Girl
Ireland

Makeup and Hairstyling

All Quiet on the Western Front

The Batman

Black Panther: Wakanda Forever

Elvis

The Whale

Music (Original Score)

All Quiet on the Western Front

Babylon

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

Music (Original Song)

“Applause” from Tell It like a Woman

“Hold My Hand” from Top Gun: Maverick

“Lift Me Up” from Black Panther: Wakanda Forever

“Naatu Naatu” from RRR

“This Is A Life” from Everything Everywhere All at Once

Production Design

All Quiet on the Western Front

Avatar: The Way of Water

Babylon

Elvis

The Fabelmans

Animated Short Film

The Boy, the Mole, the Fox and the Horse

The Flying Sailor

Ice Merchants

My Year of Dicks

An Ostrich Told Me the World Is Fake and I Think I Believe It

Live Action Short Film

An Irish Goodbye

Ivalu

Le Pupille

Night Ride

The Red Suitcase

Sound

All Quiet on the Western Front

Avatar: The Way of Water

The Batman

Elvis

Top Gun: Maverick

Visual Effects

All Quiet on the Western Front

Avatar: The Way of Water

The Batman

Black Panther: Wakanda Forever

Top Gun: Maverick

Writing (Adapted Screenplay)

All Quiet on the Western Front

Glass Onion: A Knives Out Mystery

Living

Top Gun: Maverick

Women Talking

Writing (Original Screenplay)

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

Tár

Triangle of Sadness

(Photo credit: Elevation Pictures/A24)

#FIRSTLOOK: “ETERNAL SPRING (長春)” IS CANADA’S ENTRY FOR BEST INTERNATIONAL FILM AT THE OSCARS

Documentary ETERNAL SPRING (長春) has been announced as Canada’s official entry for BEST INTERNATIONAL FEATURE at next year’s Academy Awards.

The Film by Director, Writer and Producer Jason Loftus, is representing Canada in the nomination process for Best International Feature Film at the 95th Academy Awards, to be held on March 12, 2023. The film is produced by Lofty Sky Entertainment and the international sales agent is Sideways Film.  

“It is with great enthusiasm that we announce that Eternal Spring (長春) was selected from among 16 films submitted to the pan-Canadian selection committee for having the best chance of positioning itself well in the multi-stage Oscar race,” said Christa Dickenson, Executive Director and CEO, Telefilm Canada. “This venture represents an exceptional opportunity for Eternal Spring (長春) to reach new audiences and offers a golden opportunity to showcase the high quality of Canadian filmmaking. That is why Telefilm will be supporting the film team in this prestigious competition and we wish them the best of luck.” .

More here on the Film.

(Photo credit: Lofty Sky Entertainment)