By Mr. Will Wong
Acclaimed Actress Scarlett Johansson tries her hand and directing in Dramedy ELEANOR THE GREAT, giving veteran Actress June Squibb a vehicle for recognition with a stellar performance, incredibly at the age of 95.
Hot off its Festival run, including a tiff50 debut, this Film centers on Eleanor (Squibb), who is about to lose her Holocaust-surviving friend Bessie (Ritz Zohar). Feeling alone, with the sense that her daughter Lisa (Jessica Hecht) is looking to admit her to a seniors’ residence, she winds up joining a Holocaust survivors support group where she is welcomed and given attention, as she channels Bessie‘s accounts. Eleanor meets 19-year-old Nina (Erin Kellyman), who recently lost her mother. The two strike-up an unlikely friendship, with Eleanor offering to share her Holocaust survivor experience to help advance Nina‘s ambitions to be a journalist. But what happens when the truth is uncovered about Eleanor?
Squibb‘s fantastic work is undeniable here, truly captivating the audience even where there are some imbalances and moments where the story feels a little implausible and the Film navigates that fine line tonally between Comedy and Drama. She is a treasure and it is impossible to see any other Actress pull it all of in such a lovable, sharp way. Kellyman delivers a heartfelt performance in what was my introduction to the British Actress here, giving the story some weight as it truly is a portrait of grief and the void it leaves behind. She far exceeds the maturity of Nina‘s said 19-years-of-age. Squibb and Kellyman together are a wonderful pairing, successfully filling voids in each other’s character’s lives when their families aren’t making them feel seen and heard.
ELEANOR THE GREAT screens at TIFF ’25:
Monday, September 8
Roy Thomson Hall
Premium
Closed captions (CC),
Audio description (AD)
5:30 pm
Tuesday, September 9
Scotiabank Theatre Toronto
Closed captions (CC),
Audio description (AD)
11:30 am
Friday, September 12
Scotiabank Theatre Toronto
Closed captions (CC),
Audio description (AD)
1:15 pm
Sunday, September 14
Scotiabank Theatre Toronto
Closed captions (CC),
Audio description (AD)
1:00 pm
By Amanda Gilmore
Writer-Director Josh Margolin’s Feature debut is a tender story about growing old and how we as a society view our elders. All wrapped in one of the freshest whip-smart comedic Scripts.
The story follows 93-year-old Thelma Post (the magnificent June Squibb) who gets duped by a phone scammer pretending to be her grandson. When she finds the PO Box address she sent the money to, she’s determined to confront the crook. However, her family won’t let her. But when Thelma sees Tom Cruise on the front cover of a newspaper promoting his latest Mission Impossible movie (the headline a clever “Mission: Possible”) she sets out on her mission for revenge.
Thelma is the feel-good movie of Sundance ’24 that leaves the audience uplifted and giddy. Additionally, it’s a very timely story due to this scam increasing since the pandemic. It was Margolin’s grandmother, also named Thelma, who nearly got scammed that sparked his idea for this Feature.
It includes a stellar ensemble consisting of Fred Hechinger as Thelma’s grandson Danny, Parker Posey as her daughter Gail, and Clark Gregg as her son-in-law Alan. All hit each comedic and tender moment. Yet, no one can compare to the enchanting Squibb. She’s a force to be reckoned with just as Thelma is as she goes as fast as a scooter can take her. After decades in the industry, finally we get to see her at her action hero best.
There might be no mission that’s impossible for Thelma but there sure is for the audience. Their impossible mission: not having a silly smile on their face from beginning to end.
Thelma screens at Sundance ’24:
Jan 17 at 6:30 PM at The Ray Theatre
Jan 18 at 9:00 AM at Prospector Square Theatre
Jan 20 at 9:00 PM at Rose Wagner Center
Jan 23 at 1:15 PM at Eccles Theatre
Jan 24 at 5:00 PM at Redstone Cinemas – 1
Jan 27 at 6:45 PM at Redstone Cinemas – 7
Jan 28 at 1:15 PM at Broadway Centre Cinemas – 6
Online — Jan 25 – Jan 28
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