Review by SiobhĂĄn Rich for Mr. Will Wong
Few things represent America as well as McDonaldâs. Fast, disposable food for a society that reveres speed and impersonality for its day to day survival. With a Big Mac combo no more than a few blocks away at all times, most people are as familiar with the “golden arches” as they are with the American flag. In The Founder, Writer Robert D. Siegel paints a picture of the birth of this company that couldnât be more American if it were written on a dollar bill; a tale of family, ingenuity, greed, theft, and power.
The McDonaldâs story most people know begins with Ray Kroc in Des Plaines, Illinois but its true history begins in California with two brothers, Dick and Mac McDonald. Their dream of owning a restaurant together moved them beyond the popular drive-ins of the day to a walk-up window and service so efficient that every footstep and second of the day was accounted for. By the time Krok enters the picture, McDonaldâs and their fifteen-cent burgers are already a local success. Local, however, isnât enough for Krok who wants to franchise the restaurant despite the brothersâ strong misgivings.
In true 2016 style, Michael Keatonâs Kroc is the villain of the piece. With few likeable qualities of which to speak, Keaton plays the smooth-talking Kroc as someone who doesnât require validation from anyone other than his own reflection in the mirror. Spouting lines like âContracts are like hearts â theyâre meant to be broken,â he commands the screen as ably in a cheap 1950s suit as he once did in a cape and cowl. Carter Burwellâs score is the perfect compliment to Keatonâs complicated dance as he manipulates everyone standing in his way.
If Keatonâs Kroc is deliberately grating then the McDonald brothers played by Nick Offerman and John Carroll Lynch (Dick and Mac, respectively) are the studied portrait of 1950s Americana. Their open natures and work-ethic make them ripe pickings for the less scrupulous Kroc. Despite the inevitable dĂŠnouement the pair never invite pity even when their naĂŻve willingness to trust ends badly time after time.
Unfortunately, while the men have well-rounded characters the women in this Film arenât quite as fortunate. Linda Cardellini (Joan Smith), Laura Dern (Ethel Kroc), and Kate Kneeland (June Martino) appear only as cookie cutter representations of women of the era: there to serve their men but rarely be given moments to shine outside of that function.
Despite having all these pieces perfectly in place, director John Lee Hancock somehow fails to quite shine. Toward the end of the Movie Kroc is asked why he named his restaurant McDonaldâs and he replies that âit sounds like America.â That may well be the problem: America has already rallied behind one unscrupulous businessman this year and not even the Filmâs Director seems quite prepared to reward another.
The Founder has been talked about in Oscar pools since last summer. With nominations only a few days away there is still be hope that this may finally be Keatonâs year. So, this weekend go see the story of the original Hamburglar.
Elevation Pictures release THE FOUNDER on Friday, January 20, 2017.
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