Thrilled to be at Saratoga as GO FOR LAUNCH dominated the Bolton Landing. She is a blue-blooded daughter of champions Flightline (first stake winner) and Starship Jubilee. Pietro Moran travelled in for the win with @kevin_attard and Blue Heaven Farm.
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By Nicholas Porteous
Bailey, a lonely English girl, searches for an escape from her dysfunctional family existence in Andrea Arnold‘s Bird. One windy day on a hillside, she encounters a stranger–the titular Bird--who gives her a moment of much-needed, friendly attention. Bird (Franz Rogowski) is a man of few words, but that moment is enough to spark a unique partnership, shaking the foundations of both of their worlds. Bird is very much of a piece with Arnold‘s masterpiece American Honey. Both are fly-on-the-wall, naturalistic glimpses into the lives of the less fortunate, both engage with toxic relationships and newfound families, and both feature sprawling, unconventional narratives with loose ends and scores of characters that often feel too real to be acted. So why is Bird the far less compelling of the two?
For one, Bailey simply doesn’t have as much to offer as a main character. She’s more of a prism, reflecting the pain and injustices of her world. There’s also much less ambiguity when it comes to the ‘bad guys’ this time around. Barry Keoghan does a solid job bringing depth to his troubling father Bug, but Skate (James Nelson Joyce) feels tailor-made to bring as much unnecessary pain and unprovoked confrontation into every moment he’s on screen. It’s a cheap characterization that drives all too much of Bird‘s story.Bird also chooses to sidestep some violence, converting it into fantastical imagery in a way that I found questionable. Why shy away from the brutal reality? What is this imaginary escape in service of? I left Bird with even more appreciation for American Honey than I had before, because it shows how difficult it truly is to make this kind of movie feel effortless and unsentimental. Bird‘s wholehearted attempts at exploring three-dimensional characters and their traumas, while using basically the same techniques as Honey, feel so much more mushy and muddled.
Bird screens at TIFF ’24:
Saturday, September 7th at 3:00 PM at TIFF Lightbox
Sunday, September 8th at 11:45 AM at TIFF Lightbox
Friday, September 13th at 9:45 AM at Scotiabank Theatre
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