Results for "tiff"
#TIFF22: “KNIVES OUT” SEQUEL “GLASS ONION: A KNIVES OUT MYSTERY” TO PREMIERE AT TIFF
Following its Premiere at TIFF ’19, Rian Johnson‘s followup to KNIVES OUT, GLASS ONION: A KNIVES OUT MYSTERY, will make its way to Toronto for TIFF ’22! This is TIFF‘s 47th edition, believe it or not!
Synopsis:
In the follow-up to Rian Johnson’s 2019 Knives Out, which earned an Academy Award nomination for Best Original Screenplay, Detective Benoit Blanc travels to Greece to peel back the layers of a mystery involving a new cast of colorful suspects. Glass Onion: A Knives Out Mystery stars Daniel Craig, Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline with Kate Hudson and Dave Bautista. Written and directed by Rian Johnson and produced alongside his partner Ram Bergman under their T-Street banner, Glass Onion: A Knives Out Mystery is a Netflix film.
The Film will arrive later this year on Netflix. More to come.
(Photo credit: Netflix)
#TIFF: TIFF ANNOUNCE “SUMMER OF SEOUL”
TIFF will be celebrating Korean Cinema this Summer with their Summer of Seoul, launching July 8, 2022 with an Opening Night Celebration! The Screenings and Special Events all take place at TIFF BELL LIGHTBOX.
Films & Special Events
July 8, 7pm
Opening Night: Free live performance by Korea Town Acid and mural art by Jieun Kim (a.k.a. June)
Summer of Seoul jumps beyond the screen through free public art activations in the TIFF Bell Lightbox Atrium. Gather at 7pm for an improvisational set by electronic musician and DJ Korea Town Acid. Born in Seoul and currently based in Toronto, Korea Town Acid layers hardware, drum machines, samplers, and synths to create cinematic and genre-bending soundscapes with moody textures. Her song “Sobriety,” from her latest album Cosmos, was nominated for Underground Dance Single of the Year at the 2022 Juno Awards.
Then, witness the unveiling of mural art by muralist, tattoo artist, and art producer Jieun Kim (a.k.a. June), on display in the TIFF Bell Lightbox Atrium throughout Summer of Seoul. Born in Korea, June’s work explores the immigrant experience and questions notions of location and “home.” As an expansion of her studio work, June is interested in creating safe spaces through street art.
July 8, 8pm
Opening Night: Special Screening of Winter Sonata (Episodes 1 & 2)
The Opening Night event will be hosted by ETALK and THE SOCIAL’s Lainey Lui.
The K-drama that helped start the Korean Wave, 2002’s Winter Sonata is necessary education for fans of the genre. The journey of talented musical student Joon-sang (Bae Yong-joon) and the innocent Yoo-jin (Choi Ji-woo) from friendship to first love, beset by familial obstacles and tragedy along the way, propelled Bae to superstardom and earned him the regal honorific of “Yonsama” from his Japanese fans. The series, so popular that it was credited with boosting South Korea’s “soft power” and facilitating geopolitical relationships, also spawned fashion trends, an anime, an industry of film-location tours, murals, and a musical.
July 9, 5pm
Peppermint Candy – North American premiere of the new 4K restoration
This screening will be introduced by Robyn Citizen, TIFF’s Director Festival Programming & Cinematheque.
This end-of-the-millenium opus by writer-director Lee Chang-dong (Secret Sunshine, Burning) traverses 20 years (1979–1999) of defining events in Korean history through the story of Kim Yong-ho (Sol Kyung-gu), a middle-aged everyman seen rushing in despair towards a train as the film opens. A series of episodic flashbacks in reverse chronology trace how Yong-ho was shaped by, and sometimes actively complicit in, socio-political forces — the authoritarian period, the Democratization protests, and the IMF crisis of the late ’90s — as well as personal failures that hurt others and slowly unravelled his sense of self. A film that seamlessly blends social realism, melodrama, and Lee’s singular ability to depict human complexity, Peppermint Candy was produced during a pivotal transitional period for the South Korean film industry and helped to define New Korean Cinema as a distinct cinematic movement, making it essential viewing.
July 9, 8pm
Joint Security Area
The blockbuster thriller that put Park Chan-wook on the map as an auteur of New Korean Cinema, Joint Security Area broke box-office records when it was released in 2000, and firmly established Song Kang-ho as a leading actor. One night, an injured South Korean army sergeant, Lee Soo-hyeok (Lee Byung-hun), is rescued as he tries to cross from the north side of the Demilitarized Zone. He is fleeing an altercation that has left two North Korean soldiers dead and raised a number of questions as to why and how Sgt. Lee ended up on the other side of the border. The film offers a rare, fully fleshed-out North Korean character (Song, in a commanding and charismatic performance) who is neither a spy nor a mere mouthpiece for political propaganda.
July 10, 2pm
The World of Us
This screening will feature an introduction by series programmer Hanbin Kim.
Yoon Ga-eun’s moving, true-to-life film tackles the realities of bullying, classroom pecking orders, and the importance of loyalty. Written and directed by Yoon — whose short film Sprout won the Crystal Bear in the 2014 Berlin Film Festival’s Kplus competition — The World of Us explores the profound impact of the ostracization experienced by many young students.
July 15, 6:15pm
Sympathy for Mr. Vengeance – Presented on 35mm!
Sympathy for Mr. Vengeance explores the lengths to which honest people will go when circumstances push them into tight places. Deaf and individualistic, Ryu (Shin Ha-kyun) works at a factory and spends his spare time with his beloved sister (Im Ji-eun) and his offbeat girlfriend, Yeong-mi (Bae Doona). When he loses his job, Ryu takes desperate measures and becomes entangled in dangerous underworld activities. He soon winds up on the wrong side of his former employer, Park Dong-jin (Song Kang-ho), a dark force to be reckoned with. Sympathy for Mr. Vengeance is a brilliantly constructed film and a brutal tale that director Park Chan-wook imbues with a visceral atmosphere of overwhelming claustrophobia and desperation. Park’s exceptional film draws upon his own sympathy — not for vengeance itself, but for the pain that spawns it.
July 16, 7:30pm & July 21, 8pm
Oldboy
Winner of the Grand Prix at Cannes in 2004, Park Chan-wook’s revenge masterpiece is credited with bringing Korean cinema to mainstream attention in North America. The film begins on a dark and stormy night when an ordinary man, Oh Dae-su (Choi Min-sik), is kidnapped and inexplicably imprisoned in a tiny room for 15 years. Finally freed by his unseen, anonymous captor, the revenge-hungry Dae-su finds himself enmeshed in an even larger and more sadistic web.
July 22, 9pm & July 24, 4pm
Lady Vengeance – Presented on 35mm!
The apotheosis of revenge wears red eyeshadow and an intense, angelic look in Park Chan-wook’s last entry in his dazzling Vengeance Trilogy. Lady Vengeance is a perilous venture into the psychology of a woman pursuing her personal sense of justice — without ever finding salvation. Lee Geum-ja (Lee Young-ae) has been imprisoned for 13 years for allegedly kidnapping and murdering a six-year-old boy. With her fascinating mixture of evil wisdom and naïveté, she wastes no time in winning over her cellmates’ sympathies; all the prisoners become instrumental in the scheme Geum-ja has meticulously drafted for her future as a free woman.
July 23, 7:30pm
Tale of Cinema with Dennis Lim
The screening will be preceded by an extended introduction from Dennis Lim, Artistic Director of the New York Film Festival, and followed by a book signing of Lim’s most recent publication, Tale of Cinema.
Having premiered at the Cannes Film Festival, Hong Sang-soo’s sixth feature film remains — amid a vertiginously prolific filmography that has yielded 21 films since — one of the filmmaker’s major touchstones, not least because it introduces his use of zooms and voiceover. In the first story, depressive student Sang-won (Lee Ki-woo) runs into an old flame, Young-shil (Uhm Ji-won). After a night of copious drinking and fumbling foreplay in a hotel room, they engage in a suicide pact. The second story focuses on Dong-soo (Kim Sang-kyung), a recent film-school graduate who, while exiting a cinema, sees a woman he believes to be the actress (also named Young-shil) from the film he has just watched — which, incredibly, may have been inspired by his life.
July 24, 7:30pm
House of Hummingbird
This screening will feature an introduction by series programmer Hanbin Kim.
Amid middle-school heartbreak, complications at cram school, and a complicated family life, a South Korean teenager faces the trials of growing up and finding her identity, in Bora Kim’s sincere coming-of-age tale.
July 29, 6:15pm
Thirst
Park Chan-wook’s cheeky take on Émile Zola’s scandalous serialized 19th-century novel Thérèse Raquin puts a modern, globalized spin on vampire mythology. The filmmaker’s frequent collaborator Song Kang-ho plays Sang-hyun, hot priest to Tae-ju, the repressed wife of his childhood friend. The two men reunite after news of Sang-hyun’s miraculous recovery from the fatal Emmanuel Virus — contracted through a failed vaccine experiment — spreads beyond his awed parishioners and into the wider community. However, the blood transfusion that cured Sang-hyun of the deadly virus has infected him with an undeadly one that intensifies all of his appetites.
July 31, 1:30pm
K-Mania: The Popularity of Korean Film and Culture
We are thrilled to host a panel of experts — University of Toronto professor Dr. Michelle Cho; film critic, journalist, and podcaster Carolyn Hinds; and PhD student Grayson Lee — to discuss the films, music, dramas, and fandom that make up the cultural phenomenon of the Korean Wave. Moderated by Robyn Citizen, Director of Festival Programming and Cinematheque at TIFF.
July 31, 7:30pm
Chunhyang – 4K Digital Presentation!
This screening will include an in-person introduction by University of Toronto professor Dr. Michelle Cho.
The great Im Kwon-taek is one of South Korea’s most important and prolific filmmakers. His work is distinguished by its spectacular, epic cinematography depicting the varied and beautiful landscape of his homeland. Im is also the finest living chronicler of Korean culture, centring his much-loved nation and its arts. Radiant, exuberant, and passion-filled, Chunhyang is Im’s most accessible work by far. The film’s ingenious structure sees a traditional Pansori singer recounting a complex 18th-century epic before a large contemporary audience.
August 7, 1:30pm
Microhabitat
This screening will feature an introduction by series programmer Hanbin Kim.
Set in contemporary Seoul, Microhabitat follows Miso (Esom), a housemaid with three mandatory indulgences: cigarettes, a glass of whisky at the end of the day, and emotional intimacy with her boyfriend. Jeon Go-woon’s debut film examines the conflicts between personal happiness and universal values, and the weight of contradictions a person has to endure.
August 20, 6pm
Mother – Presented on 35mm!
This screening will feature a pre-recorded introduction by Karen Han, author of Bong Joon Ho: Dissident Cinema.
Bong Joon-ho followed the smash success of The Host with this darkly stylish thriller. The magnificent Kim Hye-ja stars as the doting mother of a grown son with an intellectual disability. When a young female student is brutally murdered and her son is blamed as the culprit, the middle-aged matriarch swings into action to prove his innocence by any means necessary. As he did in Memories of Murder, Bong balances humour and horror to stunning effect, while Kim — one of South Korea’s most legendary actresses — creates an indelible portrait of motherly devotion taken to its most ruthless extreme.
August 20, 9:15pm & August 26, 9:30pm
The Host – Presented on 35mm!
Inspired by a boyhood fantasy, Bong Joon-ho brought his producer a picture of Seoul’s Han River with an image of the Loch Ness monster Photoshopped in — and thus The Host was born. In this truly original and audacious creature feature, a lazy afternoon alongside the Han is shattered when a large, unidentified mass hanging from a bridge reveals itself to be a slobbering monstrosity that snatches away the young daughter of dimwitted snack vendor, Gang-du (Song Kang-ho, a recurring star in Bong’s films). With the city shut down by the government and their American “advisors,” Gang-du and his family go on the lam to try and retrieve the girl from the monster’s slimy clutches.
August 21, 7:30pm
Gull
Provocative emerging director Kim Mijo’s debut feature follows Obok (Jung Ae-hwa), a mother and wife in Seoul who holds a stall in a food market that is threatened by impending gentrification. Days before her eldest daughter’s wedding, Obok is sexually assaulted by a fellow stallholder, who is also the chairman of the redevelopment committee. She attempts to repress her trauma, but her anger continues to grow until she finally reveals the truth to her eldest daughter and contacts the police. Justice seems hopeless due to a lack of concern from the authorities or support from her family and community — but against all odds, she speaks up to protect her dignity.
August 26, 6:15pm & August 28, 4pm
Burning
These screenings will be introduced by Robyn Citizen, TIFF’s Director Festival Programming & Cinematheque.
A profoundly enigmatic take on Haruki Murakami’s short story “Barn Burning,” Lee Chang-dong’s exploration of a vexed ménage à trois in contemporary Seoul begins as working-class would-be writer Jong-su (Yoo Ah-in) encounters Hae-mi (Jeon Jong-seo), a young woman who used to go to his school, and agrees to take care of her cat while she travels to Africa. She returns with a new “friend” in tow: a handsome, refined, and wealthy man whose name, Ben (Steven Yeun), seems to signal his international aspirations but whose vocation remains mysterious. As the men fall into an uneasy relationship — the obsessed Jong-su is both fascinated by Ben’s upscale lifestyle and jealous of his suave hold on Hae-mi — the fate of the drifty young woman in the middle seems increasingly imperilled.
Tickets go on-sale at http://tiff.net June 22, 2022 at 10 am and to the public on June 29, 2022.
#TIFF: DAVID CRONENBERG’S “CRIMES OF THE FUTURE” TO PREMIERE AT TIFF BELL LIGHTBOX
Huge news! Hot off its Premiere at Cannes, David Cronenberg‘s CRIMES OF THE FUTURE will get a Canadian Premiere in Toronto at TIFF BELL LIGHTBOX on May 30, 2022. This event is brought to us by TIFF, Sphere Films (known formerly as MK2 | MILE END) and Seredipity Point Films.
The event will be followed by Q&A with the Director, the Producer, and members of the Cast at TIFF Bell Lightbox, the exclusive Canadian venue to screen the film’s North American premiere. The Film opens across North America on Friday, June 3, 2022 including TIFF Bell Lightbox.
Tickets for the Crimes of the Future special one-night-only event as well as tickets for the film’s regular theatrical screenings go on sale starting at 10am on Wednesday, May 18, 2022 for TIFF Members, and to the general public on Thursday, May 19, 2022. Tickets will be limited and are available on a first-come, first-served basis.
Synopsis:
Crimes of the Future is a meditation on human evolution. As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice (Léa Seydoux), Saul Tenser (Viggo Mortensen), celebrity performance artist, publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission — to use Saul’s notoriety to shed light on the next phase of human evolution.
Following its North American premiere on May 30, Crimes of the Future will start its theatrical run at TIFF Bell Lightbox on June 3, 2022. On Tuesday, May 31, the day after the premiere, TIFF will screen Crash (1996), setting the stage for both the theatrical release of Crimes of the Future and a four-film TIFF Cinematheque series spotlighting Cronenberg’s earlier work, titled Cronenberg: Crimes of the Past and running July 2 to July 10. The series features screenings of Videodrome (1983), Dead Ringers (1988), eXistenZ (1999), and a second screening of Crash. Tickets for Cronenberg: Crimes of the Past go on sale Wednesday, June 22 for TIFF Members and to the public the following week on June 29. All screenings will take place at TIFF Bell Lightbox. Pieces from David Cronenberg‘s collection will be on-display also throughout TIFF Bell Lightbox in celebration of the Film.
(Photo credit: Sphere Films)
#TIFF: TIFF PRESENT UPCOMING PROGRAMMING IN NOVEMBER 2021
TIFF announce their upcoming programming slate, and trust me, there is some really good stuff including TIFF ’21 favourites SPENCER (we’re definitely seeing this again!) and THE POWER OF THE DOG, plus some cool retrospectives!
TIFF CINEMATHEQUE SERIES
Céline Sciamma: Portraits of Desire – November 11 to 21, 2021
Since the success of the widely acclaimed Portrait of a Lady on Fire — which won both the Queer Palm and the Award for Best Screenplay at Cannes 2019 — French filmmaker Céline Sciamma made both a departure from her three previous films and a masterful culmination of an oeuvre that sensitively and intelligently deals with such urgent themes as gender identity, female bonds, and the blurred boundaries between friendship and love. This programme was created to celebrate her work upon the release of her fourth feature, and now, two years later, it’s even more urgent and resonant as audiences await the theatrical release of the director’s latest film, Petite Maman (2021), which had its Canadian premiere at the Festival. Included in this retrospective are Portrait of a Lady on Fire, Girlhood, Tomboy, and her debut, Water Lilies, as well as the animated film My Life as a Courgette (which Sciamma co-scripted).
Paul Thomas Anderson: Evolution of a Master – November 25 to 28, 2021
Size matters in the films of Paul Thomas Anderson, and the increasing visual and thematic scope of his work is illustrated by these 70mm presentations tracing his evolution from big, unwieldy indie-cinema talent to a refined, mature American master. From the pyrotechnical brilliance of his sophomore breakthrough, Boogie Nights, to the elliptical psychic case study of The Master, to the wry fairy-tale riffage of Phantom Thread, Anderson has always crafted images strong and detailed enough to match his ideas. With introductions by critic Adam Nayman, author of the acclaimed 2020 book Paul Thomas Anderson: Masterworks, and a screening of David Lean’s 1949 romance The Passionate Friends, a major influence on Phantom Thread, this series seeks to honour these movies’ monumental accomplishments.
Musicals! The Movies that Moved Us – December 2, 2021 to January 6, 2022
Whether you know all the words to each song or you’re discovering these classics for the first time, there’s no denying the show-stopping pleasure of the form. The best musicals are grounded in sophisticated narratives, remarkable visual invention, and towering achievements in technical craft. Watch how Stanley Donen, Vincente Minnelli, Farah Khan, Jacques Demy, Ken Russell, Mani Ratnam, and more turn the delights of movie musicals to their own particular passions. Comprising 25 films, the programme will delight any fun-loving musical fan with movies like Singin’ in the Rain (1952), West Side Story (1961), Moulin Rouge! (2001), Mughal-E-Azam (1960), All That Jazz (1979), Kandukondain Kandukondain (2000), Grease (1978), and Purple Rain (1984).
Guillermo del Toro Presents: Film Noirs from 20th Century Fox – December 3 to 19, 2021
In anticipation of Guillermo del Toro’s upcoming release Nightmare Alley, TIFF Cinematheque presents a curated selection of film noirs from 20th Century Fox, hand-picked by del Toro himself. Inspired by the runs of similar genre-making studio films such as the highly-stylized gangster pictures championed by Warner Bros. in the 1930s (which cemented the anti-hero archetype in the face of the Hays Code’s guidelines) and the legendary monster movies helmed by Universal Studios between the ’30s and ’50s (whose creatures became the visual and emotional reference points for all subsequent horror-movie monsters), del Toro sees the brilliant stream of film noirs made under the 20th Century Fox banner as equally deserving of canonization. Before taking a turn down Nightmare Alley, audiences will have a chance to explore the director’s top five influential film noirs from the studio’s golden age of hard-boiled cinema, all on archival 35mm prints or in restored presentations.
SUBSCRIPTION SERIES
Subscriptions are on sale to Members now and to the public on October 27.
Reel Talk: Contemporary World Cinema – November 7, 2021 to March 20, 2022
Offering a global snapshot of the best cinema from around the world, Reel Talk: Contemporary World Cinema provides a focus on non-English-language, art-house films that may not see wide release.
Secret Movie Club – November 14, 2021 to January 23, 2022
Back again in its old clubhouse, TIFF Bell Lightbox, this series offers some of the best new indie cinema before it hits Toronto theatres. Last season’s lineup included Minari, The Mauritanian, and Together Together.
SPECIAL EVENTS
Viola Desmond Day: Jennifer Holness on Subjects of Desire – November 8, 2021 at 7pm
TIFF is commemorating the 75th anniversary of Viola Desmond’s historic stand against racial segregation and her barrier-breaking work as founder of the Desmond School of Beauty Culture with a special advance screening of the award-winning documentary Subjects of Desire, followed by a conversation with director Jennifer Holness. This provocative and culturally significant film is told from the perspective of women who aren’t afraid to challenge conventional beauty standards, and is partially set around the 50th anniversary of the Miss Black America Pageant, which was created as a political protest against dominant standards upheld by the beauty pageant industry.
Note: A TIFF digital event commemorating Viola Desmond Day is taking place on Monday, November 8 at 12 pm ET with scholar Cheryl Thompson and Cameron Bailey, TIFF Artistic Director and Head, for a special talk about Black representation in 1940s cinema. They will discuss what the film experience was like for Black spectators at the time, and how systemic anti-Black racism continues to persist in the film industry to this day. Watch this conversation on TIFF’s Twitter, Facebook, and YouTube channels.
TIFF Next Wave 48-Hour Challenge Screening – November 28, 2021, 2:30pm to 4pm
The highly anticipated return of the TIFF Next Wave 48-Hour Film Challenge welcomes teams of young creators to produce a short film in only 48 hours. TIFF will showcase all of the films shot during the challenge and celebrate the next wave of emerging filmmakers. Following the screening, one team will be awarded the grand prize for best film by a jury of film industry professionals.
NEW RELEASES
Opens October 27
Passing
Rebecca Hall | UK, USA | 2021 | 98 mins.
Tessa Thompson and Ruth Negga star as two Black women contending with the notion of “passing” for white, in this 1920s-set psychological thriller. Shot in a 4:3 aspect ratio in beautiful black and white, this film was made for the big screen. Nominated for five Gotham Awards, including Best Feature, Best Screenplay, and Outstanding Lead Performance (Tessa Thompson).
Opens November 4
Spencer
Pablo Larraín | Germany, UK | 2021 | 111 mins.
Official Selection, 2021 Toronto International Film Festival
Kristen Stewart stars in Pablo Larraín’s haunting chamber drama that imagines a tumultuous Christmas in the life of Diana, Princess of Wales.
Opens November 12
tick, tick… BOOM!
Lin-Manuel Miranda | USA | 2021 | 112 mins.
On the cusp of his 30th birthday, a promising young theatre composer navigates love, friendship, and the pressures of life as an artist in New York City.
Opens November 17
The Power of the Dog
Jane Campion | Australia, New Zealand | 2021 | 127 mins.
Official Selection, 2021 Toronto International Film Festival
TIFF Tribute Actor Award honouree Benedict Cumberbatch and Kirsten Dunst lead Jane Campion’s drama about two brothers whose lives change when a widow and her son arrive at their ranch.
(Photo credit: Elevation Pictures)
#TIFF21: AWARD WINNERS ANNOUNCED AT 2021 TORONTO INTERNATIONAL FILM FESTIVAL
The 2021 Toronto International Film Festival concludes today and Award winners were announced from this year’s Festival, which still thrived in a hybrid digital and in-person format amidst the Pandemic. Taking top honours of People’s Choice was BELFAST, directed by Sir Kenneth Branagh, in-attendance at the Festival last weekend. Traditionally this title has gone on to achieve Oscars and Awards Season success, case in point, last year’s winner NOMADLAND.
In accepting the Award, Branagh says “It was absolutely overwhelming to myself and Jamie Dornan and we talked about it over a long into a memorable night of laughter and tears in your great city!”.
Winners this year as as follows:
| TIFF 2021 People’s Choice Award – Belfast, dir. Kenneth Branagh. The first runner-up is Scarborough, dirs. Shasha Nakhai and Rich Williamson. The second runner-up is The Power of the Dog, dir. Jane Campion. |
| 2021 Platform Prize – Yuni, dir. Kamila Andini Honourable mention: Mlungu Wam (Good Madam), dir. Jenna Cato Bass. |
| TIFF 2021 People’s Choice Documentary Award – The Rescue, dirs. E. Chai Vasarhelyi and Jimmy Chin. The first runner-up is Dionne Warwick: Don’t Make Me Over, dirs. Dave Wooley and David Heilbroner. The second runner-up is Flee, dir. Jonas Poher Rasmussen. |
| TIFF 2021 People’s Choice Midnight Madness Award – Titane, dir. Julia Ducournau. The first runner-up is You Are Not My Mother, dir. Kate Dolan. The second runner-up is DASHCAM, dir. Rob Savage. |
| 2021 Changemaker Award, presented by the Shawn Mendes Foundation, is awarded to a Festival film that tackles issues of social change, and comes with a $10,000 cash prize – Scarborough, dirs. Shasha Nakhai and Rich Williamson. |
| Amplify Voices Award for Best Canadian Feature Film: Ste. Anne, dir. Rhayne Vermette Special Mention: Scarborough, dirs. Shasha Nakhai, Rich Williamson Amplify Voices Award: The Gravedigger’s Wife, dir. Khadar Ayderus Ahmed Amplify Voices Award: A Night of Knowing Nothing, dir. Payal Kapadia |
| IMDbPro Short Cuts Award for Best Film: Displaced, dir. Samir Karahoda Honourable Mention: Trumpets in the Sky, dir. Rakan Mayasi |
| IMDbPro Short Cuts Award for Best Canadian Film: Angakusajaujuq – The Shaman’s Apprentice, dir. Zacharias Kunuk Honourable Mention: Nuisance Bear, dirs. Jack Weisman, Gabriela Osio Vanden |
| IMDbPro Short Cuts Share Her Journey Award: ASTEL, dir. Ramata-Toulaye Sy |
As announced previously, the winners at this year’s TIFF TRIBUTE GALA, which aired last night, were:
- Jessica Chastain — TIFF Tribute Actor Award supported by the Tory Family
- Benedict Cumberbatch — TIFF Tribute Actor Award
- Denis Villeneuve — TIFF Ebert Director Award
- Alanis Obomsawin — Jeff Skoll Award in Impact Media supported by Participant Media
- Ari Wegner — TIFF Variety Artisan Award
- Danis Goulet — TIFF Emerging Talent Award presented by L’Oréal Paris and supported by MGM
- Dionne Warwick — TIFF Special Tribute Award
- Moderated by Variety’s Matt Donnelly
#TIFF21: “ONE SECOND” REVIEW
Review by George Kozera
Set in China in the ’70s, ONE SECOND tells the tale of a labour camp escapee (Zhang Yi) that is desperate to see a newsreel which contains footage of his estranged daughter. When he arrived too late at the theatre screening, he is told it will be shown again the next day at a nearby village. When he sees a scruffy young girl (Liu Haocun) steal one of the reels, he manages to retrieve it and treks across the desert to deliver it to the next theatrical engagement.
ONE SECOND is laced with gentle humour, stunning desert vistas and a Cast of intriguing characters. The Maoist propaganda is fascinating to watch and the bond between the fugitive and the thief nicely morphs into a dyslexic father/daughter relationship. When you throw in the character of the projectionist known as Mr. Movie (Fan Wei), events on the screen turn lively.
ONE SECOND may have problems finding a North American audience used to bigger. The pace is languid and borderline melodramatic. But the Movie is pure and honest and commendable.
It screens:
Sat, Sep 18 IN-PERSON Roy Thomson Hall 4:30 PM
Sat, Sep 18 IN-PERSON Visa Screening Room at the Princess of Wales Theatre 6 PM
Sat, Sep 18 DIGITAL PREMIERE SCREENING digital TIFF Bell Lightbox 7 PM
#TIFF21: HIGHLIGHTS OF THE 2021 TORONTO INTERNATIONAL FILM FESTIVAL
We don’t believe we made it through another TIFF! While this year’s Festival certainly was a bit more scaled-back we definitely were not short of things to do, equally putting in long days. So thankful to the Team for contributing their Reviews of the most key titles to surface at TIFF ’21 including Dave Baldwin, Amanda Gilmore and George Kozera. So thankful to be a Torontonian and be gifted every year with this amazing Festival. We’re so appreciative of the considerations for our safety and the fact that we were able to enjoy the Festival both in-person and at-home. We will never take for granted this flexibility.
Once again we must thank some of our official partners in our coverage of the Festival this year! We couldn’t have done it without their generosity and support and we’re always thrilled to get our Readers and Followers excited about their amazing products and services.
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The lucky winner of our TIFF ’21 Survival Pack Giveaway was Jessica (@SheBakesHere), who won an amazing haul of products from our official partners!
As the winner, Jessica received:
•1 $50 Starbucks Canada Gift Card
•1 $50 Chatime gift card + 1x T-shirt +1x Tumbler + 1x Stainless Steel Straw set
•1 $50 Gift Card at Lone Star Texas Grill
•1 $50 Gift Card at Frankie’s Nashville Hot Chicken
•1 Happy Gift Set including 1 Rose Quartz Roller + Gua Sha set, 1 Happy Face Mask, 1 bottle 250ml Happy Sanitizer and a Happy 3-Toothbrush set
•1 The Beauty of Eczema’s Bathing Oil and Bath Salts At-Home Spa Set
•1 Antipodes Manuka Honey Skin-Brightening Beehive Box
•1 boscia Skin Nutrition Body Collection
•1 bottle of Nature’s Sunshine new Hair, Skin & Nails capsules and BioGuard Hand and Body Cream
•1 H&M Canada VIP Card
•1 Official MR. WILL WONG Baseball Cap
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Team Mr. Will also share their favourites of the Festival and also their predictions which Film will win that coveted People’s Choice Award!
AMANDA GILMORE (Twitter: @GilmoreAmanda)
NOTE: FLEE would be included but I viewed outside of TIFF!
Belfast
Titane
The Worst Person in the World
Petite Maman
Spencer
Would Also Highly Recommend: The Eyes of Tammy Faye, The Power of the Dog, Dune & The Humans
People’s Choice Award Prediction: Belfast
DAVID BALDWIN (Twitter: @DaveMABaldwin)
Petite Maman
Dune
Sundown
Montana Story
People’s Choice Award Prediction: Belfast
TIFF’21 was a substantial upgrade from TIFF’20. Full Stop. The quality of films was substantially stronger, the in-person and digital offerings were better, and the all-around experience was so much closer to the TIFF we all know and love from those simpler, pre-pandemic times. There are some learnings the programming team will need to reflect on for next year’s festival, but I sincerely hope they continue with the hybrid experience despite some of the hiccups they encountered this year. It allows for an easier and more efficient means of discovery for everyone, and lets audiences still feel like they are part of the action even if they are watching from home. I had a blast watching so many movies this year, and am already looking forward to endlessly re-watching many of them. Yet I know in my bones that I would not have been able to see nearly as many had it only been an in-person festival. And while I am bummed to have missed out on Last Night in Soho and Spencer, I am overjoyed at everything I did get to see — including some of the more forgettable titles. Next year will no doubt look different again, but here’s hoping it will still feel like TIFF because where else can you go from watching a hit Broadway musical adaptation like Dear Evan Hansen to an Oscar-prestige play like The Power of the Dog to the absolute madness of the Palme d’Or winning Titane?
GEORGE KOZERA (Twitter: @PartyG)
Jockey
Mothering Sunday
The Wheel
The Worst Person in the World
People’s Choice Award Prediction: Belfast
JUSTIN WALDMAN (Twitter: @DubsReviews)
Titane
Belfast
Petite Maman
Encounter
Violet
People’s Choice Prediction: Belfast
MR. WILL (Twitter: @mrwillw)
The Eyes of Tammy Faye
Last Night in Soho
Belfast
Dear Evan Hansen
People’s Choice Award Prediction: Spencer
We’re still mesmerized by Kristen Stewart’s work in Spencer, which almost is side-by-side as our favourite with Jessica Chastain‘s mind-blowing portrayal of Tammy Faye Bakker in The Eyes of Tammy Faye! We still are obsessed with Last Night in Soho and can’t wait to see it again in October! We missed The Power of the Dog but are thankful it will be available soon on Netflix! So excited to see some of these titles propel into Awards Season success.
#TIFF21: Can we talk about #Spencer for a second? #KristenStewart pic.twitter.com/HnsQqLL4lS
— MR. WILL WONG 📸 (@mrwillw) September 10, 2021
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Last but not least, some of our favourite moments with the talent at the Festival:
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Until next TIFF!
We hope you had a blast following our adventures and Reviews. In case you missed them, you always can catch-up right here.
Do not forget to check-out the TIFF TRIBUTE GALA AWARDS, airing Saturday, September 18, 2021 at 7PM ET on CTV and the CTV App!
(Photo credit: Mr. Will Wong)
#TIFF21: “WHERE IS ANNE FRANK” REVIEW
Review by David Baldwin
In the present day, Anne Frank’s diary is housed within a glass display in her home in Amsterdam. As the crowd queues up around the block to see all of the artifacts on display, the glass suddenly breaks and Kitty (Ruby Stokes), the fictional friend Anne wrote her diary entries to, is conjured into reality. She is invisible and confused – why is she there and Anne is not? Whom are all these people walking through the house? As Kitty begins to read the diary and discover more about Anne’s story, she begins to understand what happened and how not much has changed since the Holocaust.
WHERE IS ANNE FRANK is one of the most bold and ambitious films at this year’s festival. It takes a book so many of us have read and know all too well, and examines it from an entirely different point of view. On top of that, the Film merges multiple forms and styles of animation to tell its story, often in imaginative and exciting ways. Great care was taken by Writer/Director Ari Folman (an Oscar nominee for the astonishing Waltz with Bashir) to make the Film feel like as much of an adventurous journey of discovery as it does a gut-wrenching portrayal of one of the darkest times in human history. He pulls no punches here with his ghastly depictions of the Nazi regime, as well as the on-going refugee crisis in the modern times. It is painful and heartbreaking to watch, but also feels completely necessary.
Where Folman stumbles is in the tone of the piece. It is a little too light hearted for adults and a little too mature for children. The Film is a depiction of recorded history, and I am not sure the younger audience will be in tune with the profound and damning comparisons Folman is making. And by making the lead character be Kitty, who has the mind of a naïve young girl, he risks alienating the older audience who know the story already (and will likely need to better explain to their children after the credits roll). It is a delicate balancing act that Folman is successful in managing in some areas, whereas others are a total mess. I kept watching and felt like I was getting lost in the narrative he put together. I feel like WHERE IS ANNE FRANK could have been better finessed in some areas and clearer as to who the intended audience was. This is an important, must-see film for all ages, and it deserved to be a much stronger film.
WHERE IS ANNE FRANK screens at TIFF ’21:
Tue, Sep 14 Princess of Wales 6:00 PM
Wed, Sep 15 digital TIFF Bell Lightbox 1:00 PM
Sat, Sep 18 digital TIFF Bell Lightbox 1:00 PM
#TIFF21: “I’M YOUR MAN” REVIEW
Review by David Baldwin
Alma (Maren Eggert) is a scientist longing for a relationship yet is too busy with cuneiform studies to form a bond with anyone new. With funding for a huge project hanging in the balance, Alma signs up for a three-week trial with Tom (Dan Stevens), a Humanoid Cyborg designed and determined to make her happy.
I have been unable to shake I’M YOUR MAN days after watching it. It creeps up on you almost immediately and stays with you long after its haunting finale. Co-Writer/Director Maria Schrader subverts any expectations you might have with this high concept romantic Science-Fiction Dramedy, all while delivering an emotionally stirring message about what it means to be human and what it means to be in love. That may sound like a few too many ideas to balance, yet Schrader’s guiding hand makes it look easy. While it could have used some tightening up editing wise, the world building here is subtle and remarkable, depicting a future that seems attainable. The Script is witty and sweet, and the CGI is minimal and used sparingly. Even the deeper, darker moments of this tale have a lovely charm to them.
All of this would mean nothing without the Cast however, who are game for everything Schrader throws at them. Sandra Hüller (who you will recognize from the Oscar-nominated Toni Erdmann) has a delightful bit part as a Scientist/Therapist keeping track of Tom’s progress in the field, while Hans Löw turns in memorable work as Alma’s ex Julian. They are barely noticeable whenever Eggert and Stevens are together though – their simmering chemistry is the beating heart of I’M YOUR MAN, with the sparks flying immediately and never letting up. Eggert spends much of the Movie skeptical and narrow-minded, completely unconvinced of Tom’s act and trying her very best to stay straight laced. She does a great job of it, and is so very funny and natural in the role. Stevens is even better, delivering his most incredible and accomplished work to date. His robotic movements are precise, and his fluent German dialogue is crisp and flawless (cannot do much about hiding that debonair English accent though). He is having a blast here, reworking and reimagining the archetype he has gotten so good at embodying. Together or apart, Eggert and Stevens create one of the best on-screen couples of the year and one of the most welcome surprises of the festival. Keep this one on your radar.
I’M YOUR MAN screens at TIFF ’21:
Mon, Sep 13 Scotiabank Theatre 7:30 PM
Tue, Sep 14 digital TIFF Bell Lightbox 5:00 PM
Tue, Sep 14 RBC Lakeside Drive-In at Ontario Place 9:00 PM
Sat, Sep 18 digital TIFF Bell Lightbox 3:00 PM
#TIFF21: DAY NINE SIGHTINGS – STEVEN SODERBERGH, LILY-ROSE DEPP & NATHALIE BIANCHERI
While TIFF ’21 wraps this coming Sunday, today will be our final day our and about. And what an awesome way to cap things off! We saw the amazing Steven Soderbergh arrive at Princess of Wales Theatre. While it remained a mystery what Film exactly he’d be screening at the Festival, we can confirm that the Film that screened tonight was called MR. KNEFF, a Silent Film with only music and background noises. The Film is subtitled and 15 years ago he had a second go at it, though the Film still is incomplete. The Film originally was titled KAFKA starring Jeremy Irons, though all dialogue has been removed and some hues were adjusted. The Film was made originally about 30 years ago.
Soderbergh arrived together with Cameron and his wife Carolynne at the screening, and they waited as he signed an endless line of autographs, doing Selfies as well. He finally arrived at our side joking that we were waiting on the wrong side of the barricade. A true Class Act. And an epic way to cap-off a great Festival! So many of our faves were made under his meticulous vision and crafty storytelling: Ocean’s Eleven, Traffic, Erin Brokovitch, Behind the Candelabra, Magic Mike (lol!)….
Earlier, Lily-Rose Depp arrived at Princess of Wales Theatre for her second Film at the Festival, WOLF in which she co-stars alongside rising star George MacKay. The Film is about a boy who believes he’s a wolf and is set in a clinic which treats the condition. Depp arrived in Toronto fresh-off the Met Gala which took place earlier this week in New York City. Once again, she wore pink Chanel as she did to her Premiere last night at Roy Thomson Hall for SILENT NIGHT. Director/Writer Nathalie Biancheri also was in attendance.
Do not forget to check-out the TIFF TRIBUTE GALA AWARDS, airing Saturday, September 18, 2021 at 7PM ET on CTV and the CTV App!
… and that’s a wrap! We appreciate so much your following our adventures and Reviews this TIFF once again. While we’re a bit exhausted, next week we’ll be counting down the days to TIFF ’22!
Tomorrow we’ll be sharing our Highlights, Best-Ofs and Predictions for the People’s Choice Award!
(Photo credit: Mr. Will Wong)
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